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PROA: Revista de Antropologia e Arte
PROA: Revista de Antropologia e Arte
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Search Results for
Antropologia
Raphael Giammattey Machado Ricardo
102-114
The street language in the theaters by Nelson Rodrigues and Plínio Marcos
December 31, 2017
https://doi.org/10.20396/proa.v7i2.16800
DOI:
https://doi.org/10.20396/proa.v7i2.16800
Leonardo Luiz Silveira da Silva, Jamerson Sérgio Passos Rezende
38-59
The interpretation of oriental dogmas through images
September 21, 2022
https://doi.org/10.20396/proa.v10i2.16604
DOI:
https://doi.org/10.20396/proa.v10i2.16604
Maria Manuela Restivo, Luciano Moreira
151-156
Masks, memory and change in contemporary Portugal
July 15, 2019
https://doi.org/10.20396/proa.v9i1.17298
DOI:
https://doi.org/10.20396/proa.v9i1.17298
Érica Giesbrecht
1-23
Sambas de bumbo in Campinas: a thought on body, performance and social memory
November 1, 2011
https://doi.org/10.20396/proa.v3i.16459
DOI:
https://doi.org/10.20396/proa.v3i.16459
Cristiane A. Fernandes da Silva, Régia Cristina Oliveira
e024001
Cultural meanings in patchwork canvas images
May 17, 2024
Edinaldo Gonçalves Coêlho
203-220
Rita Loureiro: “primitive” or erudite?
December 15, 2019
https://doi.org/10.20396/proa.v9i2.17566
DOI:
https://doi.org/10.20396/proa.v9i2.17566
Gabriela Shimabuko
86-100
Asadoya Yunta: from resistance to love for the colonizer
August 18, 2020
https://doi.org/10.20396/proa.v10i1.17608
DOI:
https://doi.org/10.20396/proa.v10i1.17608
Noel dos Santos Carvalho
1-12
Sacred images : Religiosity and social representation
December 1, 2010
https://doi.org/10.20396/proa.v2i.16433
DOI:
https://doi.org/10.20396/proa.v2i.16433
Sheyla Castro Diniz
257-278
"Boat movements": Engaged art, tropicalism and counterculture by José Carlos Capinan
December 15, 2018
https://doi.org/10.20396/proa.v8i2.17599
DOI:
https://doi.org/10.20396/proa.v8i2.17599
Pablo Dainzu Zafra Gatica
222-237
Memory in situ
December 31, 2017
https://doi.org/10.20396/proa.v7i2.16806
DOI:
https://doi.org/10.20396/proa.v7i2.16806
Juarez Bergmann Filho
212-215
A cartography of fandango
July 15, 2019
https://doi.org/10.20396/proa.v9i1.17334
DOI:
https://doi.org/10.20396/proa.v9i1.17334
Editorial Board
2-7
Editorial
September 21, 2022
https://doi.org/10.20396/proa.v7i2.16693
DOI:
https://doi.org/10.20396/proa.v7i2.16693
Damián González Perez
182-196
The journey of the souls
December 18, 2021
https://doi.org/10.20396/proa.v11i2.16564
DOI:
https://doi.org/10.20396/proa.v11i2.16564
Tieta Macau
310-332
ANCÉS and other macumbarias: visual poetics of insurgent tracks
August 18, 2020
https://doi.org/10.20396/proa.v10i1.17617
DOI:
https://doi.org/10.20396/proa.v10i1.17617
Ribamar José de Oliveira Junior
e022001
The body in flaps: perflamboyances of gender in the quadrilha Balão Junina Cariri from Juazeiro do Norte-CE
October 6, 2022
https://doi.org/10.20396/proa.v12i00.17322
DOI:
https://doi.org/10.20396/proa.v12i00.17322
Béatrice Mabilon-Bonfils
1-32
The audience(s) of an engaged popular artist. Bernard Lavilliers and the meaning of postmodernity
December 1, 2010
https://doi.org/10.20396/proa.v2i.16422
DOI:
https://doi.org/10.20396/proa.v2i.16422
Caroline Damiens
100–128
“Filming Back” in siberian indigenous cinema: cinematographic re-appropriation strategies in the work of Anastasia Lapsui and Markku Lehmuskallio
July 19, 2022
https://doi.org/10.20396/proa.v11i1.16611
DOI:
https://doi.org/10.20396/proa.v11i1.16611
Leonardo Costa, Renata Rocha
1-15
Much ado about nothing? Maria Bethânia, Lei Rouanet and the Brazilian media
November 1, 2011
https://doi.org/10.20396/proa.v3i.16458
DOI:
https://doi.org/10.20396/proa.v3i.16458
Bárbara Igor Ovalle
189-202
Colectionism and autenticity: the european colectionism and the categorization of tradicional African art
December 15, 2019
https://doi.org/10.20396/proa.v9i2.17565
DOI:
https://doi.org/10.20396/proa.v9i2.17565
Giovanna Colussi
e022007
Firma o ponto, filho de fé
October 6, 2022
https://doi.org/10.20396/proa.v12i00.17351
DOI:
https://doi.org/10.20396/proa.v12i00.17351
Cyro Almeida
44-69
Brasília Teimosa, from Bárbara Wagner, regarding the traditions and contemporary trends of documentary photography
December 18, 2021
https://doi.org/10.20396/proa.v11i2.16557
DOI:
https://doi.org/10.20396/proa.v11i2.16557
José Calixto Kahil Cohon
72-85
Mbaraka: the Guarani Mbya caipira guitar
August 18, 2020
https://doi.org/10.20396/proa.v10i1.17607
DOI:
https://doi.org/10.20396/proa.v10i1.17607
Pauline Adenot
1-15
The question of vocation in the social representation of musicians
December 1, 2010
https://doi.org/10.20396/proa.v2i.16431
DOI:
https://doi.org/10.20396/proa.v2i.16431
João Pedro Rangel Gomes da Silva
e023014
Contact zone in ruins: silencing and memories from the Colonial Exhibition of Naples in 1940
February 7, 2024
https://doi.org/10.20396/proa.v13i00.17309
DOI:
https://doi.org/10.20396/proa.v13i00.17309
Maria Regina Emery Quites Quites, Agesilau Neiva Almada, Idanise Sant'ana Azevedo Hamoy, Maria Luiza Seixas de Souza e Silva, Martha Maria de Castro e Silva
204-221
Judith Martins' Dictionary and its relevance to the analysis of the sculptural heritage in Minas Gerais
December 31, 2017
https://doi.org/10.20396/proa.v7i2.16805
DOI:
https://doi.org/10.20396/proa.v7i2.16805
151 - 175 of 247 items
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