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Vol. 8 (2021): Teoria e métodos de pesquisa

Vol. 8 (2021)

Published May 31, 2021
Teoria e métodos de pesquisa

Capa: Luiz Guilherme Sanitá (UNICAMP)

Editorial

e021018
Editorial: Theory and research methods
https://doi.org/10.20396/muspop.v8i00.16045
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.16045

Artigos temáticos

José Roberto Zan
e021019
Multiple theoretical and methodological approaches in popular music studies
https://doi.org/10.20396/muspop.v8i00.16046
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.16046
Gabriel Sampaio Souza Lima Rezende
e021015
Origin and reflection: my experiences of immanent criticism with popular music
https://doi.org/10.20396/muspop.v8i00.15843
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15843
Ricardo Ribeiro Lira da Silva
e21014
Critical theory of music revisited: remarks on Theodor W. Adorno’s Introduction to the sociology of music
https://doi.org/10.20396/muspop.v8i00.15838
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15838
Frederico Lyra de Carvalho
e021006
Improvisation, Identity and Systems from outside: the non-identity of Steve Coleman’s music through Adorno’s philosophy
https://doi.org/10.20396/muspop.v8i00.14303
PDF
DOI: https://doi.org/10.20396/muspop.v8i00.14303
Adalberto Paranhos
e021008
Between samba steps and dictatorial beat: fissures and censorship in “Estado Novo” times
https://doi.org/10.20396/muspop.v8i00.15902
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15902
Humberto Junqueira
e021013
The (im)probable meeting between Mulato Calado and Delegado Chico Palha: notes on music research in the context of Brazilian urban popular culture
https://doi.org/10.20396/muspop.v8i00.15807
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15807
Juliana Soares da Costa Silva
e021011
"A Banda" by Chico Buarque: A march in the form of a Brazilian song - about the role of the arrangement in the reinterpretation of the song
https://doi.org/10.20396/muspop.v8i00.15785
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15785
Daniel Menezes Lovisi
e021010
“Paixão e Fé”: study on the process of meaning in the song by Tavinho Moura and Fernando Brant
https://doi.org/10.20396/muspop.v8i00.15776
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15776
Victor Fernandes Albergaria, Sérgio Paulo Ribeiro de Freitas
e21009
Gilberto here and now: out there of a Gil song
https://doi.org/10.20396/muspop.v8i00.15759
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15759
Renan Branco Ruiz
e021005
The vanguarda paulista instrumental: jazz and instrumental Brazilian popular music in São Paulo (1976-1986)
https://doi.org/10.20396/muspop.v8i00.15370
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15370
Flávia Guia Carnevali, José Geraldo Vinci de Moraes
e021004
Eneida, Love and Fantasy: Eneida de Moraes (1904-1971) - militancy and feminism in the history of Rio’s carnival
https://doi.org/10.20396/muspop.v8i00.15194
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15194
Urbano Lemos Junior, Vicente Gosciola
e021001
The popular song, the folk research and the preservationist legacy: Elsie Houston and the sound documentary
https://doi.org/10.20396/muspop.v8i00.14880
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.14880
Sandor Buys
e021003
Phonographic discs as a historical source: analysis of the recently discovered Apollo label, made by Casa A Electrica (1913-1923)
https://doi.org/10.20396/muspop.v8i00.15209
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15209
Gabriel Barth da Silva
e021002
Dreams of the Orient: life trajectories and identities crossed by K-Pop in Curitiba
https://doi.org/10.20396/muspop.v8i00.15105
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15105
Nelson Rodríguez Vega
e021007
The confluence between Chilean rappers and multinational record labels during the decade of 1990: an operation with implications for the development of hip-hop in Chile
https://doi.org/10.20396/muspop.v8i00.15799
PDF (Español (España))
DOI: https://doi.org/10.20396/muspop.v8i00.15799
Renan Moretti Bertho
e021016
The flute and the camera: uses and roles of the image in an ethnography of music
https://doi.org/10.20396/muspop.v8i00.15848
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15848

Artigos

Thiago Brisolla, Eliane Tokeshi
e021012
Popular Strings Cordel: a decolonial music teaching experience through storytelling and dance practice
https://doi.org/10.20396/muspop.v8i00.15798
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15798

Traduções

Vincenzo Caporaletti; Luiz Santos Lima
e021017
The didactic of musical improvisation in primary and secondary schools: theoretical perspectives and method guidelines
https://doi.org/10.20396/muspop.v8i00.15944
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v8i00.15944