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Vol. 5 No. 2 (2018)

Vol. 5 No. 2 (2018)

Published August 26, 2018

Editorial

1-2
Editorial
https://doi.org/10.20396/muspop.v5i2.13132
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13132

Artigos

Sergio Gaia Bahia
200-222
Moacir Santos: symmetries and voice leadings in Coisa no.3
https://doi.org/10.20396/muspop.v5i2.13142
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13142
Juan David Arias Calle
223-242
Vingança / No es venganza: bolero and samba-canção in dialogical perspective
https://doi.org/10.20396/muspop.v5i2.13143
PDF (Español (España))
DOI: https://doi.org/10.20396/muspop.v5i2.13143

Resenhas

Luciana Requião
243-249
Singer, crooner and night club singer: the life and career of Áurea Martins
https://doi.org/10.20396/muspop.v5i2.13144
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13144

Dossiê

Sheyla Castro Diniz, Danilo Ávila
3-8
Presentation of the dossier
https://doi.org/10.20396/muspop.v5i2.13133
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13133
Guilherme Araujo Freire
9-34
Tom Zé and the counter-speech of the anti-hero: critique and deconstruction of the MPB song in todos os olhos
https://doi.org/10.20396/muspop.v5i2.13134
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13134
Vinícius José Fecchio Gueraldo
35-60
The social dehumanization: the critic nostalgia of Milton Nascimento
https://doi.org/10.20396/muspop.v5i2.13135
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13135
Luiz Henrique Assis Garcia, Marcos Sarieddine Araújo, Hudson Leonardo Lima Públio
61-87
“Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985)
https://doi.org/10.20396/muspop.v5i2.13136
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13136
Ana Carolina Serpa, Dmitri Cerboncini Fernandes
88-115
Lobão and Caetano Veloso: developments of the nationalforeign dialectic
https://doi.org/10.20396/muspop.v5i2.13137
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13137
Thiago Galletta
116-141
São Paulo musical scene in the 2010s and the “new musical artists” in brazilian post-Internet independent production
https://doi.org/10.20396/muspop.v5i2.13138
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13138
Danilo Ávila
142-154
Essay as modern Brazilian popular song
https://doi.org/10.20396/muspop.v5i2.13139
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13139
Anaïs Fléchet, Sheyla Castro Diniz
155-175
The musical world of Gilberto Gil
https://doi.org/10.20396/muspop.v5i2.13140
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13140
Sheyla Castro Diniz, Danilo Ávila
146-199
The song can die, but I won’t: an interview with Kiko Dinucci
https://doi.org/10.20396/muspop.v5i2.13141
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v5i2.13141