Vol. 9 No. 1 (2019): Artes em Festas: transgressões e utopias
Artes em Festas: transgressões e utopias

Apresentação

2-8
Editorial
https://doi.org/10.20396/proa.v9i1.17327
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17327

Dossiê

Lis Furlani Blanco, Adriano Santos Godoy
9-20
Dossier arts at parties : transgressions and utopias
https://doi.org/10.20396/proa.v9i1.17047
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17047
Maria Pimentel Tutui
21-43
Arts and festivity: an emphasis on "entrudo" day and the marimba in Debret's watercolors
https://doi.org/10.20396/proa.v9i1.17259
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17259
Francisco Antonio Nunes Neto
44-73
Setting up a nationality icon: the aunts from Bahia in Rio de Janeiro
https://doi.org/10.20396/proa.v9i1.17278
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17278
Felipe Araujo Xavier
74-95
The samba schools and the sociocultural transformations in Rio Novo's carnival: memories and representations of carnival parades in a small country town in Minas Gerais (1960-1979)
https://doi.org/10.20396/proa.v9i1.17280
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17280
Renata Menezes, Lucas Bártolo
96-121
When devotion and carnival meet
https://doi.org/10.20396/proa.v9i1.17281
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17281
Alysson Lemos, Alice Dote
122-141
Carnival is today because tomorrow is never: the party as ritual in the play "Devorando Heróis"
https://doi.org/10.20396/proa.v9i1.17283
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17283
Maria del Carmen Castillo Cisneros, Oscar Ulloa Calzada
142-150
The little masks of the Tacuate carnival
https://doi.org/10.20396/proa.v9i1.17296
PDF (Español (España))
DOI: https://doi.org/10.20396/proa.v9i1.17296
Maria Manuela Restivo, Luciano Moreira
151-156
Masks, memory and change in contemporary Portugal
https://doi.org/10.20396/proa.v9i1.17298
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17298
Fabiola del Rosario Zermeño, David Montoya
157-170
The k'in tajimoltik, the monkey, the kaxlan, and the tiger: a look at relational complexity in San Juan Chamula
https://doi.org/10.20396/proa.v9i1.17306
PDF (Español (España))
DOI: https://doi.org/10.20396/proa.v9i1.17306
Ana Paula Santos Horta, Carolina Herrera Rojas
171-180
Nossa Senhora de Andacollo's Party: popular religiosity in northern Chile
https://doi.org/10.20396/proa.v9i1.17328
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17328
Ángela Nanni Álvarez, Maura Vázquez Vargas
181-196
Dead people who create themselves: ritual and performance in a Mazatec community in the Sierra Negra de Puebla, Mexico
https://doi.org/10.20396/proa.v9i1.17330
PDF (Español (España))
DOI: https://doi.org/10.20396/proa.v9i1.17330
Frederico Luiz Moreira
197-211
On the street, the meaning of the celebration: sacred carpets, perishable sawdust in color
https://doi.org/10.20396/proa.v9i1.17332
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17332
Juarez Bergmann Filho
212-215
A cartography of fandango
https://doi.org/10.20396/proa.v9i1.17334
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17334
Yasmin Fabris, Ronaldo de Oliveira Corrêa
115-137
Viva a diferença: culture agency strategies in Pavilhão das Culturas Brasileiras
https://doi.org/10.20396/proa.v9i1.17562
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17562

Artigos

Silvia Fatima Roque Figueroa
227-241
From walls to paper: an intersemiotic translation of three grafittis from Fortaleza-CE
https://doi.org/10.20396/proa.v9i1.16541
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.16541
Sara Raquel de Andrade Silva
242-252
Reação e rejeição: o grande público e a recepção da arte contemporânea
https://doi.org/10.20396/proa.v9i1.16540
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.16540

Debate

Nathanael Araújo
253-276
"Um amor, um amor pelos livros que me fez pegar o risco": diálogos com o antropólogo Gustavo Sorá
https://doi.org/10.20396/proa.v9i1.16542
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.16542

Entrevista

João Roberto Bort Junior, Carlos Rodrigues Brandão
277-294
"Here I want whore, mystic, nun, atheist, communist": interview with Carlos Rodrigues Brandão
https://doi.org/10.20396/proa.v9i1.17336
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17336
Aline de Paula Regitano, Christina Toren
295-304
How we become who we are: Interview with Christina Toren
https://doi.org/10.20396/proa.v9i1.17337
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17337
Aline de Paula Regitano, Christina Toren
305-313
How we become who we are: interview with Christina Toren
https://doi.org/10.20396/proa.v9i1.17341
PDF
DOI: https://doi.org/10.20396/proa.v9i1.17341

Resenhas

Mylene Mizrahi
314-322
The angency by Alfred Gell: exvias and effects in the art world
https://doi.org/10.20396/proa.v9i1.17342
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17342
Elaine da Silva
323-328
Carolina de Jesus and other possible Carolinas in das nuvens pra baixo
https://doi.org/10.20396/proa.v9i1.17343
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17343

Galeria

Clarissa Reche
331-340
New moon
https://doi.org/10.20396/proa.v9i1.17345
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v9i1.17345