Vol. 11 No. 1 (2021): Indigenous cinema: past, present and future

Vol. 11 No. 1 (2021)

Published July 24, 2021
Indigenous cinema: past, present and future

Apresentação

1-10
Editorial
https://doi.org/10.20396/proa.v11i1.17886
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.17886

Dossiê

Amália Córdova, Renato Athias, Rodrigo Lacerda
11 - 21
Dossier presentation: Indigenous cinema: past, present and future
https://doi.org/10.20396/proa.v11i1.16575
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16575
Ítalo Mongconãnn
22-30
Reflections of an indigenous filmmaker on contemporary indigenous cinema
https://doi.org/10.20396/proa.v11i1.16576
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16576
Maria Claudia Gorges
31-50
Community cinema: the paths between a hierarchical cinema and a horizontal cinema
https://doi.org/10.20396/proa.v11i1.16577
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16577
Aline Moschen de Andrade
51-73
Transmitting the word by image: a Mbya project for cinema
https://doi.org/10.20396/proa.v11i1.16578
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16578
Carolina Soler
74–99
Film-gathering: appropriating and (re)inventing cinema by a Qom family
https://doi.org/10.20396/proa.v11i1.16590
PDF (Español (España))
DOI: https://doi.org/10.20396/proa.v11i1.16590
Caroline Damiens
100–128
“Filming Back” in siberian indigenous cinema: cinematographic re-appropriation strategies in the work of Anastasia Lapsui and Markku Lehmuskallio
https://doi.org/10.20396/proa.v11i1.16611
PDF
DOI: https://doi.org/10.20396/proa.v11i1.16611
Ana Letícia Meira Schweig, Eduardo Santos Schaan, Geórgia de Macedo Garcia, Marcus Antonio Schifino Wittmann
129–151
Lights on: gatherings, translations and agencies at the tela indígena film festival
https://doi.org/10.20396/proa.v11i1.16612
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16612
Gabriel Izard
152–170
The jumara festival of Panamá: cinema and body in motion
https://doi.org/10.20396/proa.v11i1.16614
PDF
DOI: https://doi.org/10.20396/proa.v11i1.16614
Thomaz Pedro
171–181
Screens and reflections at Aiha village
https://doi.org/10.20396/proa.v11i1.16664
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16664
Sophia Ferreira Pinheiro
182–216
Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté
https://doi.org/10.20396/proa.v11i1.16615
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16615
Indira Nahomi Viana Caballero
217–236
The eternity in Wiñaypacha as an image of andean thought
https://doi.org/10.20396/proa.v11i1.16650
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16650
Sebastian Gómez Ruiz
237–262
Batmen of the Sierra Nevada de Santa Marta: indigenous masculinities and image repatriation
https://doi.org/10.20396/proa.v11i1.16651
PDF (Español (España))
DOI: https://doi.org/10.20396/proa.v11i1.16651

Artigos

Rafael Gonzaga de Macedo
263–284
Devourers of gods: photography, black arts and the imperial gaze
https://doi.org/10.20396/proa.v11i1.16652
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16652
Gabriel Cardoso Gonzaga
285–303
Carlito Carvalhosa: a team experience
https://doi.org/10.20396/proa.v11i1.16653
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16653
Nilva Heimbach
304–331
Indigenous cultures in Mato Grosso do Sul: other knowledges, other perspectives, political spaces and spaces of resistance
https://doi.org/10.20396/proa.v11i1.16655
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16655

Relatos e Experiências

Luiza Serber, Eliel Benites
332–358
Mokõi Kovoe: behind the scenes of the Cultural Association of Indigenous Filmmakers (Ascuri)
https://doi.org/10.20396/proa.v11i1.16657
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16657
Ana Carolina Estrela da Costa, André Luís Lopes Neves, Nadja Woczikosky Marin
359–371
Viewing possible worlds: a virtual video experience for (Re)existing and healing
https://doi.org/10.20396/proa.v11i1.16658
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16658

Ensaios (Áudio) Visuais

Ana Clara Sousa Damásio dos Santos
373–384
A escrita no isolamento: quando o desenho vira parte constituinte da etnografia
https://doi.org/10.20396/proa.v11i1.16665
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16665

Resenhas

Michelle Hurtubise
385–390
SGaawaay K‘uuna: edge of the knife, indigenous language revitalization
https://doi.org/10.20396/proa.v11i1.16659
PDF
DOI: https://doi.org/10.20396/proa.v11i1.16659

Galeria

Brunela Succi, João Custódio, Isabela Cassis Augusto, Natalia Negretti, João Bardy
392–397
Mariza Corrêa Visual Anthropology Prize Competition 2020
https://doi.org/10.20396/proa.v11i1.16660
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16660
Lucas Coelho Pereira
398–407
Carnaubal
https://doi.org/10.20396/proa.v11i1.16667
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16667
Mateus Rodrigues Jorge, Amanda Rocha
408–411
The Colégio Estadual Dr. Raimundo Alves Torres, from the perspective of its agents: brief notes on anthropological practice
https://doi.org/10.20396/proa.v11i1.16669
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v11i1.16669