Resumo
Com base na etnografia do Primer Festival Internacional de Cinema Indígena Jumara, realizado em uma comunidade Emberá do Panamá, o objetivo deste artigo é mergulhar na conexão dos processos étnicos derivados do cinema indígena com os processos étnicos derivados do significado atribuído a esse cinema em eventos específicos. Em Jumara, o cinema indígena foi o motivo para afirmar a cultura Emberá e reivindicar, de maneira marcadamente festiva e performativa, as principais demandas do grupo em uma celebração na qual o corpo e sua ornamentação assumiram um papel especial. Argumenta-se que o foco etnográfico nos festivais organizados nas comunidades indígenas permite analisar com profundidade a dimensão comprometida e ativista do cinema indígena.
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