Vol. 4 (2012)

Entrevista

Carla Delgado de Souza, Érica Giesbrecht, Suzel Reily
“Não há música sem dimensão política”: conversa com Suzel Reily sobre música, etnomusicologia e os estudos acerca da cultura popular brasileira
https://doi.org/10.20396/proa.v4i00.16477
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16477

Artigos

Tarcila Soares Formiga
25-40
An art critic in transit: the multiple roles played by Mário Pedrosa in the Brazilian artistic field
https://doi.org/10.20396/proa.v4i00.16476
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16476
Katia Regina Machado
41-56
The politics of aesthetics of Sebastião Salgado's photography
https://doi.org/10.20396/proa.v4i00.16475
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16475
Vinicius Spricigo
57-69
To the west, nothing new: notes for an archaeology of exhibitions with reference to Documenta
https://doi.org/10.20396/proa.v4i00.16474
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16474
Aline Miklos
70-84
Blasphemy and contemporary art: a question of method
https://doi.org/10.20396/proa.v4i00.16473
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16473
Bruna Della Torre de Carvalho Lima
85-99
Misadventures of subversion: Oswald de Andrade, the Teatro Oficina and the two moments of O Rei da Vela
https://doi.org/10.20396/proa.v4i00.16472
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16472
Bernardo Fonseca Machado
100-115
Theatre research: a convention
https://doi.org/10.20396/proa.v4i00.16471
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16471
Anne-Gaël Bilhaut
116-133
Shields against oblivion. A visit to the museum and the reappropriation of Zápara heritage
https://doi.org/10.20396/proa.v4i00.16470
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16470
Marina Matarrese
134-147
Anthropology and Aesthetics: the case of pilagá basketry (Gran Chaco, Argentina)
https://doi.org/10.20396/proa.v4i00.16469
PDF (Español (España))
DOI: https://doi.org/10.20396/proa.v4i00.16469
Blaise Wilfert-Portal
148-174
The cultural history of Europe: a transnational point of view
https://doi.org/10.20396/proa.v4i00.16468
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16468
Esmael Alves de Oliveira
175-193
The body in Mozambican cinema: an analysis of the HIV/AIDS experience based on the cinematographic works of Isabel Noronha and Orlando Mesquita
https://doi.org/10.20396/proa.v4i00.16467
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16467
Veronica Eloi de Almeida
194-209
A Muralha and indigenous representation on television, in literature and in the social sciences
https://doi.org/10.20396/proa.v4i00.16466
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16466

Galeria

Carlos Eduardo Riccioppo
Estudos de atmosfera
https://doi.org/10.20396/proa.v4i00.16479
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16479
Wagner Morales
Grau Zero das Coisas
https://doi.org/10.20396/proa.v4i00.16478
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16478

Resenhas

Dominique Tilkin Gallois
Dois filmes e uma tradição: sertanistas defendendo a vida dos índios
https://doi.org/10.20396/proa.v4i00.16482
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16482
Matheus Gato de Jesus
A metrópole como meio legítimo de expressão feminina
https://doi.org/10.20396/proa.v4i00.16481
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16481
Christiano Key Tambascia
A coleção etnográfica de Johann Natterer e a política de representação do Museu Etnológico de Viena: sobre os limites do discurso museológico
https://doi.org/10.20396/proa.v4i00.16480
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16480

Tradução

Cunera Buijs, Diederik Veerman
Compartilhando patrimônio: o projeto Roots2Share Groenlândia
https://doi.org/10.20396/proa.v4i00.16484
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16484

Relatos e Experiências

Luis Afonso Salturi
A paisagem paranaense fotografada por Armin Henkel
https://doi.org/10.20396/proa.v4i00.16483
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/proa.v4i00.16483