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Vol. 4 No. 2 (2023)

Vol. 4 No. 2 (2023)

Published December 31, 2023

Articles

Pascale Saarbach
4-26
Ecofeminist art in the United States (1970-1980) : birth of a movement
https://doi.org/10.20396/rhac.v4i2.18463
PDF (Français) (Português (Brasil))
Renata Gomes Cardoso
27-53
Brazilian women artists in exhibitions: New York, 1930 and 1939
https://doi.org/10.20396/rhac.v4i2.18251
PDF (Português (Brasil))
Carlos Lima Junior
54-82
From the Palace of the City to the Imperial Museum: the (re)appropriations of the painting The act of the Coronation of Your Majesty the Emperor, by François-René Moreaux, during the Republic
https://doi.org/10.20396/rhac.v4i2.18436
PDF (Português (Brasil))
Julio Cesar dos Reis
83-103
Nature and progress in the Fine Arts: the litographic album estrada de Ferro de D. Pedro II
https://doi.org/10.20396/rhac.v4i2.18324
PDF (Português (Brasil))
Bruno Henrique Fernandes Gontijo
104-121
Piet Mondrian and brazilian neoconcretism: the constitution of a narrative through the art criticism of Mário Pedrosa and Ferreira Gullar
https://doi.org/10.20396/rhac.v4i2.18306
PDF (Português (Brasil))
Felipe Sevilhano Martinez
122-138
Frieda Hunziker: curaçao and the São Paulo Biennial
https://doi.org/10.20396/rhac.v4i2.18476
PDF (Português (Brasil))
Luiz Fernando Silva Sandes
139-158
The concrete art of Sao Paulo and its art collecting
https://doi.org/10.20396/rhac.v4i2.17268
PDF (Português (Brasil))
Luiz Philip Gasparete
159-173
Material and object against form
https://doi.org/10.20396/rhac.v4i2.18194
PDF (Português (Brasil))
Iaci d'Assunção Santos
174-187
Made by many hands: reflections on the authorship of the tile panels at Palácio Gustavo Capanema
https://doi.org/10.20396/rhac.v4i2.18395
PDF (Português (Brasil))
Sofia Inda
188-200
Dialogues between Mário Pedrosa’s art criticism and the exhibitions of the works by inmates of psychiatric hospitals in Brazil (1947 – 1952)
https://doi.org/10.20396/rhac.v4i2.18397
PDF (Português (Brasil))
Mateus Dagios
201-230
Karl Marx as Prometheus: reception of antiquity in a political cartoon
https://doi.org/10.20396/rhac.v4i2.18439
PDF (Português (Brasil))

Reviews and Reports

Letícia Asfora Falabella Leme
231-238
Pionnières de la diversité: Tarsila do Amaral and the forest-green room in the Musée du Luxembourg in 2022.
https://doi.org/10.20396/rhac.v4i2.18524
PDF (Português (Brasil))
Jorge Coli
239-240
Arte, circulações e transferências (2023)
https://doi.org/10.20396/rhac.v4i2.18602
PDF (Português (Brasil))