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Vol. 3 No. 1 (2014)

Vol. 3 No. 1 (2014)

Published April 22, 2015

Editorial

4-6
Editorial
https://doi.org/10.20396/muspop.v3i1.12947
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12947

Artigos

Eduardo Vicente, Leonardo de Marchi
7-36
Outline of a history of the record industry in Brazil: a contribution from the Media Studies
https://doi.org/10.20396/muspop.v3i1.12957
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12957
Claudio Armelin Melon
37-53
Between tapas and kisses: : the restructuring of the music industry in the era of digital reproducibility
https://doi.org/10.20396/muspop.v3i1.12958
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12958
Thiago Pires Galletta
54-79
Beyond the major labels: historical, imaginary and “independent” practices in Brazil
https://doi.org/10.20396/muspop.v3i1.12950
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12950
Sílvio Antonio Luiz Anaz
80-100
The eroticization of Brazilian pop-rock imagery in Rita Lee's songs
https://doi.org/10.20396/muspop.v3i1.12951
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12951
Cassiano Scherner
101-120
The post-tropicalism Brazilian rock and music critic for Rolling Stone
https://doi.org/10.20396/muspop.v3i1.12961
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12961
Maura Penna
121-141
Paths of music in cyberculture: the case of Lenine's “A Mancha”
https://doi.org/10.20396/muspop.v3i1.12962
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12962

Resenhas

Silvano Fernandes Baia
142-150
Brazilian jive, by David Treece
https://doi.org/10.20396/muspop.v3i1.12963
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/muspop.v3i1.12963