Vol. 8 No. 2 (2022)

Published December 7, 2022

Art in its shifts from the center

Capa: Marta Strambi, detalhe da Instalação “Dias muito estranhos vistos de perto”, 2022

Capa: Marta Strambi, “Dias estranhos vistos de perto”, 2022 (detalhe).

Artigos

Juan Bautista Peiró López , Angel Manuel Rodríguez Arias

1-26

From vision to action: art in peripheral environments

https://doi.org/10.20396/visuais.v8i2.17443

PDF (Español (España))

DOI: https://doi.org/10.20396/visuais.v8i2.17443

Aparecido José Cirilo

27-47

Indigenous presence and imagery in public art in Espírito Santo cities

https://doi.org/10.20396/visuais.v8i2.17438

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v8i2.17438

Robson Xavier da Costa

48-62

Architecture and habitus in the landscape museum of contemporary art (MPAC)

https://doi.org/10.20396/visuais.v8i2.17422

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v8i2.17422

Marcos Antônio Bessa-Oliveira

63-86

Borders in art. Art from borders

https://doi.org/10.20396/visuais.v8i2.17440

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v8i2.17440

Andreia Falqueto Lemos

87-113

From coming and going: non-chronological time in Sean Scully's painting

https://doi.org/10.20396/visuais.v8i2.17377

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v8i2.17377

Ricardo Marques Martins

114-124

From classical forms to the sensual expression of drama: considerations on "Saint Sebastian" of Il Sodoma

https://doi.org/10.20396/visuais.v8i2.17441

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v8i2.17441

Maria de Fátima Lambert

125-141

From the most recent to the oldest – In Memoriam Francisco Laranjo

https://doi.org/10.20396/visuais.v8i2.17450

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v8i2.17450