Vol. 1 No. 1 (2012)

Published October 5, 2012

Editorial

4-5

https://doi.org/10.20396/muspop.v1i1.12873

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12873

Artigos

Adalberto Paranhos

6-29

Between work and orgy: the samba shuttles in the 1930s and 1940s

https://doi.org/10.20396/muspop.v1i1.12874

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12874

Walter Garcia

30-57

From “A negra do acarajé” (Dorival Caymmi) to “Carioca” (Chico Buarque): popular song and capitalist modernization in Brazil

https://doi.org/10.20396/muspop.v1i1.12875

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12875

Rita de Cássia Lahoz Morelli

58-74

Celly, Meire and Regiane: media experiences of three São Paulo rock girls

https://doi.org/10.20396/muspop.v1i1.12876

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12876

Juan Pablo González

75-92

Primitive vanguard in chilean rock of the seventies: music, intellectuals and counterculture

https://doi.org/10.20396/muspop.v1i1.12877

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12877

Eduardo Vicente, Rosana Soares

93-114

Cultural Center for Youth: a look at the musical diversity of São Paulo

https://doi.org/10.20396/muspop.v1i1.12878

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12878

Michel Nicolau Netto

115-134

Music on the internet: decentralization and control

https://doi.org/10.20396/muspop.v1i1.12879

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v1i1.12879