Vol. 5 No. 2 (2019)

Published December 17, 2019

jul./dez.[9]: Tempo da arte, transmissão de conhecimento e experiências da imagem

Editorial

Mauricius Martins Farina

I - II

https://doi.org/10.20396/visuais.v5i2.12533

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12533

Artigos

Andrey Gustavo Rossi

1-14

The experience aesthetic during the process from creation in painting

https://doi.org/10.20396/visuais.v5i2.12385

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12385

Maira Imenes Ishida

15-30

Photograph as a register: notes on the images in Dr. Henry Selwyn

https://doi.org/10.20396/visuais.v5i2.12400

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12400

Aline Ferreira Gomes

31-48

Toros: the eroticism of bullfighting in the photographs of Alair Gomes

https://doi.org/10.20396/visuais.v5i2.12417

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12417

Cláudia Gisele Masiero, Luciana da Costa de Oliveira

49-64

Image, memory and time in the visuality of childhood history

https://doi.org/10.20396/visuais.v5i2.12361

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12361

Bianca Silva Avila

65-84

The palette of Grimm Group

https://doi.org/10.20396/visuais.v5i2.12363

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12363

Jorge Rodrigues Batista

85-105

Contributions for the route engraving and artistic teaching in Portugal between the centuries XVIII and XIX

https://doi.org/10.20396/visuais.v5i2.12301

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/visuais.v5i2.12301