Vol. 3 No. 1 (2022)

Published June 30, 2022

Issue Description

Front cover: Paul Chabas, Blonde nymph, undated. Oil on canvas, 61,4 x 50,5 cm, Museu de Arte de São Paulo.

Articles

Charlotte Collet

4-37

Representation of bathers by Paul-Emile Chabas (1869-1937)

https://doi.org/10.20396/rhac.v3i1.16211

PDF (Français) (Português (Brasil))

Robert John Wilkes

38-54

Richard Speare: an early British artist in Brazil

https://doi.org/10.20396/rhac.v3i1.16170

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Guillaume Le Gall

55-80

The appearance of aquatic nature at the 1867 world's fair

https://doi.org/10.20396/rhac.v3i1.16538

PDF (Français) (Português (Brasil))

Alexandre Pedro de Medeiros

81-93

From censorship to consecration: the apparitions of la civilización occidental y cristiana

https://doi.org/10.20396/rhac.v3i1.16168

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Yacy-Ara Froner, Pedro Paulo Abreu Funari

94-116

Sustainability and resilience: the protection of Cultural Heritage in time of crisis

https://doi.org/10.20396/rhac.v3i1.16102

PDF

Gabriela Caspary Corrêa

117-135

Agnaldo dos Santos and the Abdias do Nascimento’s museu de arte negra

https://doi.org/10.20396/rhac.v3i1.16106

PDF (Português (Brasil))

Reviews and Reports

Henrique Grimaldi Figueredo

136-141

IN-SITU: field notes on Untitled (2011), by Urs Fischer, at the Pinault Collection's ouverture exhibition

https://doi.org/10.20396/rhac.v3i1.16040

PDF (Português (Brasil))