Vol. 2 No. 1 (2013)

Published April 3, 2014

Editorial

https://doi.org/10.20396/muspop.v2i1.12965

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12965

Artigos

Martha Tupinambá de Ulhôa

7-33

“Serene night”: vocal style in acoustic recordings (1902-1912)

https://doi.org/10.20396/muspop.v2i1.12966

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12966

Felipe Pessoa, Ricardo Dourado Freire

34-60

Recordings, performance and musicology in the universe of choro

https://doi.org/10.20396/muspop.v2i1.12967

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12967

Paulo José de Siqueira Tiné

61-73

“So What” by Miles Davis: a proposal for analysis of idiomatic improvisation

https://doi.org/10.20396/muspop.v2i1.12968

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12968

Sandra Cristina Novais Ciocci, Ney Carrasco

74-98

The radio singers who staged films of Atlântida

https://doi.org/10.20396/muspop.v2i1.12969

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12969

José Roberto Zan

99-124

Jovem guarda: popular music and consumer culture in Brazil of the 60s

https://doi.org/10.20396/muspop.v2i1.12970

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12970

Mara Favoretto

125-151

Charly García: allegory and rock

https://doi.org/10.20396/muspop.v2i1.12971

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12971

Lucas Tomás Souza

152-174

On the tracks of a “Maluco Beleza”: mapping the construction of an idol

https://doi.org/10.20396/muspop.v2i1.12972

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/muspop.v2i1.12972