Banner Portal
Explosive charge
PDF (Português (Brasil))

Keywords

Surrealism
Romanticism
Revolutionary
Marxism

How to Cite

LÖWY, Michael; CZAJKA, Rodrigo. Explosive charge: surrealism as a revolutionary romantic movement. Tematicas, Campinas, SP, v. 19, n. 37, p. 11–24, 2011. DOI: 10.20396/tematicas.v19i37/38.13669. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/13669. Acesso em: 22 jul. 2024.

Abstract

This paper investigates the relationship between art and politics when discussing the links of the french surrealist movement, particularly the work of André Breton, with marxism and avant-garde artistics and aesthetic with the revolutionary movements of the left. Present the surrealism of Breton as a conjunction of a “romantic marxism”, i.e, a way of thinking fascinated by certain cultural values of a pre-capitalist past that rejects the abstract rationality of modern industrial civilization, but acknowledges that nostalgia as an essential element of the struggle for the revolutionary transformation of the present time.

https://doi.org/10.20396/tematicas.v19i37/38.13669
PDF (Português (Brasil))

References

BOHRER, K.H. Die Kritik der Romantik. Frankfurt: Suhrkamp Verlag, 1989.

BOUNOURE, V. Le surréalime et les arts sauvages. Paris: L’Harmattan, 2001, p. 204.

BRETON, A. “Evolution du concept de liberté à travers le romantisme (1945)”. In: Conjonction. Surréalisme et revolte em Haïti. Nº 194, juin 1992, p. 82.

BRETON, A. “Evolution du concept de liberté à travers le romantisme”. In: Conjonctions, 1960, p. 90.

BRETON, A. “Introdution à Achim d’Amim”. In: Contes bizarres. Paris: Julliard, 1964, p. 18-21.

BRETON, A. “Le merveilleux contre le mystère” (1936). In: Clé dês champs, Paris 1967a., p.10.

BRETON, A. “Océanies” (1948), La clé dês champs, 1967a p. 278-280.

BRETON, A. “Perspective Cavaliere” (1963). In: Perspective Cavalière. Paris: Gallimard, 1970, p. 227.

BRETON, A. “Sur l’art magique” (1957). Perspective Cavalière, p. 142.

BRETON, A. “Sur l’art magique”. In: Perspective Cavalière, p. 140.

BRETON, A. L’art magique. Paris: Phébus, 1991, p. 27.

BRETON, A. Manifestes du surréalisme. Paris: Gallimard, 1967b, p. 19-37.

BRETON, A. Manifestes du surréalisme. Paris: Folio, 1999, p. 110.

BRETON, A. “La claire tour”. In: La clé des champs. Paris: J.J. Pauvert, 1967a, p. 42.

BRETON, A. “Position politique de l’art” (1935). In: Position politique du surréalisme. Paris: Denoel-Gonthier, 1972.

DEPESTRE, R. “André Breton in Port-au-Prince”. In: RICHARDSON, M. Refusal of the shadow: surrealism and the Caribbean. London: Verso, 1996, p. 232.

FABER, R. “Friihromantik, surrealismus und studentenrevolte: oder die Frage anch dem Anarchismus”. In: Romantische utopie, utopische romantik. Hildesheim: Gerstenberg, 1979.

LÖWY, M.; SAYRE, R. Révolte et mélancolie: le romantisme à contre-courant de la modernité. Paris: Payot, 1994.

MASSONI, M.D. “Surrealism and Romanticism”. In BLECHMANN, M. Revolutionar y romanticism. San Francisco: City Lights, 1999, p. 194.

ROSEMONT, F. “Karl Marx and the Iroquois”. In: Arsenal. Chicago: Black Swan Press, 1989.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2011 Michael Löwy; Rodrigo Czajka

Downloads

Download data is not yet available.