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Keywords

Sociology
Art
Technosciences

How to Cite

SCACHETTI, Rodolfo Eduardo; MONTEIRO, Rosana Horio. Filigree: sociology, art and technosciences. Tematicas, Campinas, SP, v. 18, n. 35, p. 7–12, 2010. DOI: 10.20396/tematicas.v18i35/36.13654. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/13654. Acesso em: 22 jul. 2024.

Abstract

The purpose of this dossier is to gather works that travel across border areas, presenting scientific and artistic productions that intersect in some way and feed the triad “sociology, art and technosciences”. So, readers
will have the opportunity not to unravel what is isolated from sociology, art and technology in the works that follow, but to understand how they identify, discuss and engage with something that we could
consider central in the dossier: the aesthetic-political issues triggered by the technoscientific avalanche from the cybernetic turn. The selected texts deal with recurring themes today in this field of interests, presenting references and perspectives that are both shared and in opposition.

https://doi.org/10.20396/tematicas.v18i35/36.13654
PDF (Português (Brasil))

References

SIGRIST, Vanina Carrara. Günther Anders, o homem está antiquado: introdução ao volume I–considerações sobre a alma na época da segunda revolução industrial. Tematicas, v. 18, n. 35/36, 2010.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2010 Rodolfo Eduardo Scachetti, Rosana Horio Monteiro

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