Vol. 5 No. 1 (2024)

Published June 28, 2024

Articles

Eva Pralon Catelli

4-27

The exile of a symbolist sculptor

https://doi.org/10.20396/rhac.v5i1.18755

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/rhac.v5i1.18755

Ana Caroline Matias Alencar

28-46

Dissonant Modernities: the presence of afrotropes in Heitor Villa-Lobos’ aesthetic project

https://doi.org/10.20396/rhac.v5i1.18726

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/rhac.v5i1.18726

Ana Beatriz Mendonça Dias

47-65

The Convent of the Carmelites in Rio de Janeiro: from the colonial period to the present

https://doi.org/10.20396/rhac.v5i1.18656

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/rhac.v5i1.18656

Stefanie Gil Franco, Clara N. Forte

66-89

Between the marginal and the institutional: outsider art and the psychiatric archive of Hospital Miguel Bombarda

https://doi.org/10.20396/rhac.v5i1.18643

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/rhac.v5i1.18643

Documents and Translations

João Brancato

90-118

Short guide to the Académie Julian Funds at the National Archives of France

https://doi.org/10.20396/rhac.v5i1.18665

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/rhac.v5i1.18665

Reviews and Reports

Maraliz de Castro Vieira Christo

119-123

About the book "Más notícias, de Rodolfo Amoedo", by Sonia Gomes Pereira: art movements in question

https://doi.org/10.20396/rhac.v5i1.18735

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/rhac.v5i1.18735