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Hercules between Vice and Virtue and Allegory of Wisdom and Strength
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Keywords

Painting
Boucher
Veronese

How to Cite

COUTO DA SILVA, Maria Antonia. Hercules between Vice and Virtue and Allegory of Wisdom and Strength: Veronese copies made by François Boucher from the Museu de Arte de São Paulo (MASP). Journal of Art History and Culture, Campinas, SP, n. 6, p. 55–67, 2021. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/rhac/article/view/15730. Acesso em: 16 jul. 2024.

Abstract

In this article, we intend to contribute to the understanding of the iconography, the artistic and the historical context behind the creation of two paintings, nowadays in the Museu de Arte de São Paulo (MASP), both painted by François Boucher (1703-1770), around 1752, which are copies of Paolo Veronese’s (1528-1588) Hercules between Vice and Virtue, and Allegory of Strenght and Wisdom. Those copies of Veronese’s paintings, from the XVIIIth century, can be set in an European context of revaluation of XVIth century Venetian painting. In this article we show that Boucher’s paintings can be considered paradigmal.

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References

SILVA, Maria Antonia Couto da. As cópias de Veronese por François Boucher, do acervo do Museu de Arte de São Paulo. Dissertação (mestrado), Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas– UNICAMP, IFCH. (Orientador: Prof. Dr. Luiz César Marques Filho). Campinas, SP: [s.n.], 2003.

PANOFSKY, Erwin. Hercule à la croisée des chemins. Paris, Flammarion, 1999. [Original: Hercules am Scheidewege und andere antike Bildstoffe in neueren Kunst, Leipzig, Berlin, B.G. Teubner, 1930].

ROSAND, David. Peindre à Venise au XVIe. Siécle. Paris: Flammarion, 1982.

VASARI, Giorgio. Le Vite dei piu eccelenti pittori, scultori ed architetti

da Cimabue fino ai nostri giorni. [1568]. Roma: Tascabili,

, p. 73.

WATSON, Peter. Wisdom and Strength: The Biography of a Renaissance Masterpiece. New York, Doubleday, 1989, p. 210.

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Copyright (c) 2021 Journal of Art History and Culture

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