Abstract
In this article, we intend to contribute to the understanding of the iconography, the artistic and the historical context behind the creation of two paintings, nowadays in the Museu de Arte de São Paulo (MASP), both painted by François Boucher (1703-1770), around 1752, which are copies of Paolo Veronese’s (1528-1588) Hercules between Vice and Virtue, and Allegory of Strenght and Wisdom. Those copies of Veronese’s paintings, from the XVIIIth century, can be set in an European context of revaluation of XVIth century Venetian painting. In this article we show that Boucher’s paintings can be considered paradigmal.
References
SILVA, Maria Antonia Couto da. As cópias de Veronese por François Boucher, do acervo do Museu de Arte de São Paulo. Dissertação (mestrado), Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas– UNICAMP, IFCH. (Orientador: Prof. Dr. Luiz César Marques Filho). Campinas, SP: [s.n.], 2003.
PANOFSKY, Erwin. Hercule à la croisée des chemins. Paris, Flammarion, 1999. [Original: Hercules am Scheidewege und andere antike Bildstoffe in neueren Kunst, Leipzig, Berlin, B.G. Teubner, 1930].
ROSAND, David. Peindre à Venise au XVIe. Siécle. Paris: Flammarion, 1982.
VASARI, Giorgio. Le Vite dei piu eccelenti pittori, scultori ed architetti
da Cimabue fino ai nostri giorni. [1568]. Roma: Tascabili,
, p. 73.
WATSON, Peter. Wisdom and Strength: The Biography of a Renaissance Masterpiece. New York, Doubleday, 1989, p. 210.
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2021 Journal of Art History and Culture