Abstract
In 1568, Giorgio Vasari’s Lives of the Most Eminent Painters, Sculptors, and Architects...are reviewed and augmented. In the chapter entitled, a posteriori, Of Divers Flemish Artists, that we now translate, the Tuscan master provides us with a brief summary of Flemish art. An important source of information concerning Flemish paiting for the writing of this chapter of the Lives... is Flemish painter and humanist Domenicus Lampsonius, the author of Pictorum aliquot Celebrium Germaniae Inferioris Effigies (1572), through the correspondence exchanged between him and Vasari, dating from the years 1564-1565.
References
FREY, Karl. Der literarische Nachlass Giorgio Vasaris, 2. München, 1930, no . 492.
VASARI, Giorgio. Le Vite dei più Eccellenti Pit¬tori, Scul¬tori e Archit¬tetti. Roma: Newton Compton editori, 1997.
WITCOMBE, Christopher. Copyri¬ght in the Renais¬sance: Prints and the Privilegio in the Sixteenth-Century Venice and Rome. Leiden/Boston: Brill, 2004.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2021 Journal of Art History and Culture