Banner Portal
O passado audível
PDF (Português (Brasil))

Keywords

History of sound
Sound studies
Sound reproduction technology

How to Cite

BESSA, Virginia de Almeida; LIMA, Giuliana Souza de; PÉREZ GONZÁLEZ, Juliana. O passado audível: origens culturais da reprodução sonora. Música Popular em Revista, Campinas, SP, v. 7, n. 00, p. e020001, 2020. DOI: 10.20396/muspop.v7i00.13425. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/muspop/article/view/13425. Acesso em: 16 jul. 2024.

Abstract

Trata-se da introdução do livro O passado audível, de Jonathan Sterne, aqui traduzida pela primeira vez para o português. O livro propõe uma história da possibilidade da reprodução do som – por meio do telefone, do fonógrafo, do rádio e de outras tecnologias correlatas. Nele são examinadas as condições sociais e culturais que deram origem à reprodução do som e, por sua vez, como estas tecnologias cristalizaram e combinaram movimentos culturais mais amplos. O livro parte do pressuposto que som, audição e escuta são centrais para a vida cultural da modernidade, fundamentais para as modernas formas de conhecimento, cultura e organização social. Ele propõe, assim, uma alternativa à narrativa dominante segundo a qual, ao se tornar moderno, o mundo ocidental teria migrado de uma cultura da audição para uma cultura da visão.

https://doi.org/10.20396/muspop.v7i00.13425
PDF (Português (Brasil))

References

ADORNO, Theodor. The Curves of the Needle. Tradução Thomas Levin. October. Cambridge, n°. 55, out. 1990.

ALTMAN, Rick. (org.). Sound Theory/Sound Practice. Nova York: Routledge, 1992.

ARNHEIM, Rudolf. Radio. Tradução Margaret Ludwig e Herbert Read. London: Faber and Faber, 1936.

ATTALI, Jacques. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press, 1985.

BAUMAN, Zygmunt. Modernity and Ambivalence. Cambridge: Polity, 1991.

BENJAMIN, Walter. “The Storyteller,” and “The Work of Art in the Age of Mechanical Reproduction”. In: Illuminations. Tradução Hannah Arendt. New York: Schocken, 1968.

BERKHOFER Jr., Robert F. The White Man’s Indian: images from Columbus to the present. Nova York: Vintage, 1978.

BERLAND, Jody. “Cultural Technologies and the Production of Space”. In: GROSSBERG, Lawrence; NELSON, Nelson; TREICHLER, Paula (org.). Cultural Studies. Nova York: Outledge, 1992.

BERMAN, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Penguin, 1992.

BOURDIEU, Pierre; WACQUANT, Loïc J. D. An Invitation to Reflexive Sociology. Chicago: University of Chicago Press, 1992.

BURDICK, Alan. Now hear this: listening back on a century of sound. -Harper’s Magazine, Nova York, vol. 303, n° 1814, jul. 2001, p. 70-77.

BURNETT, Charles. “Sound and its perception in the middle ages”. In: BURNETT, Charles; FEND, Michael; GOUK, Penelope (org.). The Second Sense: studies in hearing and musical judgments from Antiquity to the seventeenth century. Londres: Warbug Institute, 1991.

CALINESCU, Matei. Five Faces of Modernity: Modernity, Avant-Garde, Decadence, Kitch, Postmodernism. Durham: Duke University Press, 1987.

CANDLAND, Douglas Keith. Feral Children and Clever Animals: Reflections on Human Nature. Nova York: Oxford University Press, 1993.

CANTRIL, Hadley Cantril e ALLPORT, Gordon. The Psychology of Radio. Nova York: Harper and Bros., 1935.

CHANAN, Michael. Repeated Takes: a Short History of Recording and its Effects on Music. New York: Verso, 1995.

CHANG, Briankle. Deconstructing Communication: representation, subject, and economies of discourse. Minneapolis: University of Minnesota Press, 1996.

CHION, Michel, Audio-Vision: Sound on Screen. Tradução Claudia Gorbman. Nova York: Columbia Press, 1994.

CORBIN, Alain. The Foul and the Fragrant: Odor and the French Social Imagination. Cambridge: Harvard University Press, 1986.

CORBIN, Alain. Time, Desire, and Horror: Toward a History of the Senses. Tradução Jean Birrell. Cambridge: Blackwell, 1995.

CORBIN, Alain. Village Bells: Sound and Meaning in the Nineteenth Century French Countryside. Nova York: Columbia University Press, 1999.

CORBETT, John. Extended Play: sounding off from John Cage to Dr. Funkenstein. Durham: Duke University Press, 1994.

CRARY, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press, 1990.

DELEUZE, Gilles; GUATTARI, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. Tradução Brian Massumi. Minneapolis: University of Minnesota Press, 1987.

DELEUZE, Gilles. Foucault. Tradução Sean Hand. Minneapolis: University of Minnesota Press, 1988 [Em português: Foucault. Tradução C. Sant’Anna Martins. São Paulo: Brasiliense, 1988].

DERRIDA, Jacques. Speech and Phenomena and Other Essays on Husserl’s Theory of Signs. Tradução David B. Allison. Evanston: Northwestern University Press, 1973 [Em português: A voz e o fenômeno: introdução ao problema do signo na fenomenologia de Husserl. Tradução Maria Jose Semião e Carlos Aboim de Brito. Lisboa: Edições 70, 1996].

DERRIDA, Jacques. Of Grammatology. Tradução Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins University Press, 1976.

DERRIDA, Jacques. Dissemination. Tradução Barbara Johnson. Chicago: University of Chicago Press, 1981.

DERRIDA, Jacques. The Post-card: From Socrates to Freud and Beyond. Tradução Alan Bass. Chicago: University of Chicago Press, 1987.

DOUGLAS, Susan. Listening In: Radio and the American Imagination from Amos ’n Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. Nova York: Times Books, 1999.

EILSER, Hanns e ADORNO, Theodor Adorno. Cine y la música. 2. ed. Madrid: Fundamentos, 1981.

FABIAN, Johannes. Time and the Other: How Anthropology Makes Its Object. Nova York: Columbia University Press, 1983.

FELD, Steven. “Orality and Consciousness”. In: TOKUMARU, Yoshiko e YAMAGUTI, Osamu (org.) The Oral and the Literate in Music. Tokyo: Academia Music, 1986.

FELSKI, Rita. The Gender of modernity. Cambridge: Harvard University Press, 1995.

FISCHER, Claude S. America Calling: A Social History of the Telephone. Berkeley: University of California Press, 1992.

FLINN, Caryl Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music. Princeton: Princeton University Press, 1992.

FOUCAULT, Michel. The Birth of the Clinic: An Archaeology of Medical Perception. Tradução A. M. Sheridan Smith. Nova York: Pantheon, 1973.

FOUCAULT, Michel. Discipline na Punish: The Birth of the Prison. Tradução Alan Sheridan. Nova York: Vintage, 1977a.

FOUCAULT, Michel. “Nietzsche, Genealogy, History”. In: Language, Counter-Memory, Practice: Selected Essays and Interviews. Ithaca, Nova York: Cornell University Press, 1977b.

FOUCAULT, Michel. “An Introduction”. History of Sexuality. vol. I. Tradução Robert Hurley. Nova York: Vintage, 1978.

FRANK, Felicia. The Mechanical Song: women, voice and the artificial in the nineteenth century French narrative. Standford: Standford University Press, 1995.

GOODWIN, Andrew. Dancing in the distraction factory: music television and popular culture. Minneapolis: University of Minnesota Press, 1992.

GORBMAN, Claudia. Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press, 1987.

GOUK, Penelope. “Some English theories of hearing in the seventeenth century: before and after Descartes”. In: BURNETT, Charles; FEND, Michael; GOUK, Penelope (org.). The Second Sense: studies in hearing and musical judgments from Antiquity to the seventeenth century. Londres: Warbug Institute, 1991.

GROSSBERG, Lawrence. We gotta get out of this place: popular conservatism and postmodern culture. Nova York: Routledge, 1992, p. 52-61.

HACKING, Ian. The Social Construction of What?. Cambridge: Harvard University Press, 1999.

HALL, Stuart. The Narrative Construction of reality: an interview with Stuart Hall. Southern Review, Adelaide, vol. 17, n° 1, mar. 1984, p. 3-17.

HALL, Stuart. On postmodernism and articulation. Journal of Communication Inquiry. Iowa, vol. 10, nº 2, 1986, p. 45-60.

HANDELMAN, Susan. Slayers of Moses: The Emergence of Rabbinic Interpretation in Modern Literary Theory. Albany: State University of New York Press, 1982.

HAVELOCK, Eric. Preface to Plato. Cambridge: Harvard University Press, 1963.

HAVELOCK, Eric. The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present. New Haven: Yale University Press, 1986.

HEIDEGGER, Martin. The Question Concerning Technology and Other Essays. Tradução William Lovitt. New York: Harper Torchbooks, 1977.

HORKHEIMER, Max; ADORNO, Theodor. Dialectic of Enlightenment. New York: Continuum, 1944.

HOWES, David. The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses. Toronto: University of Toronto Press, 1991.

IHDE, Don. Listening and Voice: A Phenomenology of Sound. Athens: Ohio University Press, 1976.

IGGERS, Georg C. Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge. Hanover.: Wesleyan University Press, 1997.

ITARD, Jean-Marc Gaspard. The Wild Boy of Aveyron. Tradução George Humphrey e Muriel Humphrey. Nova York: Meredith, 1962.

JAY, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1993.

KAHN, Douglas. “Histories of Sound Once Removed”. In: KAHN, Douglas e WHITEHEAD, Gregory (org.). Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge: MIT Press, 1992.

KAHN, Douglas. Noise, water, meat: a history of sound in the arts. Cambridge: MIT Press, 1999.

KASSABIAN, Anahid. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge, 2001.

KERN, Stephen. The Culture of Time and Space, 1800–1918. Cambridge: Harvard University Press, 1983.

KITTLER, Friedrich. Gramophon film, typewriter. Stanford: Stanford University Press, 1999.

LASTRA, James. Sound Technology and American Cinema: Perception, Representation, Modernity. Nova York: Columbia University Press, 2000.

LATOUR, Bruno. We Have Never Been Modern. Tradução Catherine Porter. Cambridge: Harvard University Press, 1993.

LAWRENCE, Amy. Echo and Narcissus: Women’s Voice in Classical Hollywood Cinema. Berkeley: University of California Press, 1991.

LEVEBVRE, Henri. Introduction to Modernity. Tradução John Moore. New York: Verso, 1995.

LEMAHIEU, D. L. A Culture for Democracy: Mass Communication and the Cultivated Mind in Britain between the Wars. Oxford: Clarendon, 1988.

LEVIN, David Michael. The Listening Self: Personal Growth, Social Change, and the Closure of Metaphysics. Nova York: Routledge, 1989.

LEVIN, David Michael (org.). Modernity and the Hegemony of Vision. Berkeley: University of California Press, 1993.

LOWE, Donald M. History of Bourgeois Perception. Chicago: University of Chicago Press, 1982.

MARKS, Laura. The Skin of the Film: The Senses in Intercultural Cinema. Durham: Duke University Press, 1999.

MARX, Karl. Economic and Philosophic Manuscripts of 1844. Tradução Martin Milligan. Nova York: International, 1968.

MARX, Karl. Capital. Vol. I, The process of Capitalist Production. Nova York: International, 1967.

MAUSS, Marcel. “Body Techniques”. In: Sociology and Psychology: Essays. Tradução Ben Brewster. Boston: Routledge e Kegan Paul, 1979 [Em português: “As técnicas do corpo”. In: Sociologia e Antropologia. Tradução Paulo Neves. São Paulo: Cosac & Naify, 2003].

McLUHAN, Marshall e CARPENTER, Edmund. “Acoustic Space”. In: ”.: CARPENTEN, Edmund e McLUHAN, Marshall (org.). Explorations in Communication: An Anthology. Boston: Beacon, 1960.

McLUHAN, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. Toronto: University of Toronto Press, 1962.

McLUHAN, Marshall. Understanding Media: The Extensions of Man. Nova York: McGraw-Hill, 1964.

MERLEAU-PONTY, Maurice. “The Primacy of Perception and Its Philosophical Consequences”. Tradução James M. Edie. In: EDDIE, James M. (Org.). The Primacy of Perception and Other Essays on Phenomenological Psychology, the Philosophy of Arts, History, and Politics. Evanston: Northwestern University Press, 1964.

MILLS, C. Wright. The Sociological Imagination. New York: Oxford University Press, 1959.

MÜLLER, Johannes. Elements of Physiology. Tradução William Blanchard. Philadelphia: Lea and Blanchard, 1843.

NIETZSCHE, Friedrich. On the Genealogy of Morals and Ecce Homo. Tradução Walter Kauffman. Nova York: Vintage, 1967.

NOVICK, Peter. That Noble Dream: The “Objectivity Question” and the American Historical Profession. New York: Cambridge University Press, 1988.

ONG, Walter. The Presence of the Word: Some Prolegomena for Cultural and Religious History. Minneapolis: University of Minnesota Press, 1981.

ONG, Walter. Orality and Literacy: The Technologization of the Word. Nova York: Routledge, 1982.

PETERS, John Durham. Speaking into the Air: A History of the Idea of Communication. Chicago: University of Chicago Press, 1999.

PETERS, John Durham. The gaps of which communication is made. Critical Studies in Mass Communication, London, vol. 11, nº 2, 1994, p. 117-140.

PLATÃO. Phaedrus. In: Collected Dialogues. Princeton: Princeton University Press, 1961.

PRUCHA, Francis Paul. The Great Father: the United States government and the American Indians. Ed. resumida. Lincoln: University of Nebraska Press, 1986.

READ, Oliver; WEALCH, Walter L. From Tin Foil to Stereo: Evolution of the Phonograph. New York: Herbert W. Sams, 1976.

SAID, Edward. Culture and imperialism. Nova York: Vintage, 1993.

SCHAFER, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Nova York: Destiny, 1994.

SCOTT, Joan. Gender and politics of history. Nova York: Columbia University Press, 1988.

SHEPHERD, John. Music as a Social Text. Cambridge: Polity, 1991.

SILVERMAN, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988.

SLACK, Jennifer Daryl. Communication Technologies and Society: Conceptions of Causality and the Politics of Technological Intervention. Norwood: Ablex, 1984.

SMITH, Bonnie. The Gender of History. Cambridge: Harvard University Press, 1998.

SMITH, Bruce R. The Acoustic Culture of Early-Modern England; Attending to the O-Factor. Chicago: University of Chicago Press, 1999.

STABILE, Carol. Feminism and the Technological Fix. Nova York: St. Martin’s, 1994.

STERNE, Jonathan. “Sound Out of Time/Modernity’s Echo”. In: STABILE, Carol (org.). Turning the Century. Boulder: Westview, 2000.

TAUSSIG, Michael. Mimesis and Alterity. A Particular History of the Senses. Nova York: Routledge, 1993.

TRUAX, Barry. Acoustic Communication. Norwood: Ablex, 1984.

WHITE, Hayden. “The burden of history”. Tropics of discourse: essays in cultural criticism. Baltimore: Johns Hopkins University Press, 1978.

WILLIAMS, Raymond. Television: Technology and Cultural Form. Middletown: Wesleyan University Press, 1992.

WISE, J. Macgregor. Exploring Technology and Social Space. Thousand Oaks: Sage, 1997.

WOLFF, Hanet. “The Ideology of Autonomous Art”. In: LEPPERT, Richard e McCLARY, Susan (org.). Music and Society: The Politics of Composition, Performance, and Reception. Nova York: Cambridge University Press, 1987.

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2020 Virginia de Almeida Bessa, Giuliana Souza de Lima, Juliana Pérez González

Downloads

Download data is not yet available.