Abstract
Francisco Laranjo was a collector of ideas, acts, images, books and objects on trips – effective and considered. This article relates to the poetics of the painter Francisco Laranjo, as a collector of worlds, knowledge from an always humanist perspective. He approaches it, as an artist who fulfils a requirement of rigor and purification of his own pictorial language, organizing the two directional components of his aesthetic foundation: the internal path and the external paths, through an acute resolution and profoundly appropriate to his aesthetic design and the conditions of artistic praxis. Regularizes the optional convergence of your path while responding to the direction aimed at wisdom.
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