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From the most recent to the oldest – In Memoriam Francisco Laranjo
Capa: Marta Strambi, “Dias estranhos vistos de perto”, 2022 (detalhe).
PDF (Português (Brasil))

Keywords

Francisco Laranjo
Portuguese painting
Contemporary art

How to Cite

LAMBERT, Maria de Fátima. From the most recent to the oldest – In Memoriam Francisco Laranjo. Revista Visuais, Campinas, SP, v. 8, n. 2, p. 125–141, 2022. DOI: 10.20396/visuais.v8i2.17450. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/visuais/article/view/17450. Acesso em: 25 aug. 2024.

Abstract

This article relates to the poetics of the painter Francisco Laranjo, an artist who fulfills a requirement for rigor and purification of his own pictorial language, organizing the two directional components of his aesthetic foundation: the path from within and the paths from the outside., through an acute resolution. and profoundly suited to its aesthetic design and the conditions of artistic praxis. Regulates the optional convergence of your pathway while responding to wisdom-oriented forwarding.

https://doi.org/10.20396/visuais.v8i2.17450
PDF (Português (Brasil))

References

ECO, Umberto Eco, Arte y Belleza en la Estetica Medieval, Barcelona, Ed. Lumen, 1999.

DAIDÔ, Hôgen. No Caminho Aberto, Lisboa, Assírio & Alvim, 1993.

MING, Sin Sin “Inscrição sobre a Fé no Espírito” in Jacques Brosse, Os Mestres Zen, Lisboa, Pergaminho, 1999, pp.38-39.

LAMBERT, Marie Thèrese. Le Tao, Paris, Seghers, 1988, p.36

CIORAN, E. M. A tentação de Existir, Lisboa, Relógio d'Água, 1988.

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Copyright (c) 2022 Revista Visuais

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