Abstract
This article relates to the poetics of the painter Francisco Laranjo, an artist who fulfills a requirement for rigor and purification of his own pictorial language, organizing the two directional components of his aesthetic foundation: the path from within and the paths from the outside., through an acute resolution. and profoundly suited to its aesthetic design and the conditions of artistic praxis. Regulates the optional convergence of your pathway while responding to wisdom-oriented forwarding.
References
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