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Concepts on a new spectrum
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Keywords

George Bellows
Modernity
American art
American realism
Male gaze

How to Cite

MONTEIRO, Eponina Castor de Mello. Concepts on a new spectrum: modernity, realism and the Bellowsian male gaze. Journal of Art History and Culture, Campinas, SP, v. 2, n. 2, p. 58–78, 2021. DOI: 10.20396/rhac.v2i2.15858. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/rhac/article/view/15858. Acesso em: 4 jul. 2024.

Abstract

In this article, we are going to briefly analyze some pieces of George Bellows artwork, from the perspective of an inclusive modernity, which is fluid and less divisive, harboring pluralities, and, furthermore, regarding what does not come into effect in the scope of what is considered vanguard. We shall also tackle the concept of pictorial realism, and male gaze, and how these very concepts relate to the Modernity and to the forms of being, seeing and the idea of pleasure inside the Bellowsian’s body of work, taking into account that the American art has, within its core, latent modernity.

https://doi.org/10.20396/rhac.v2i2.15858
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References

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Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2021 Eponina Castor de Mello Monteiro

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