Keywords
Others meanings of Brazilian’s aesthetic
Brazilian art collection’s history
How to Cite
Abstract
The research around letters and documents outline the performance issues of international artists in Brazil as Max Bill, Marcel Duchamp, and critics as Léon Degand who acted in the formation of modern Brazilian culture. Research suggests some misconceptions about this story as the reputation built by Max Bill, the role of art dealer and critic, Leon Degand and curator and artist Marcel Duchamp. The renewal of the local artistic and folk Brazilian traditions considered Brazilian art provincialiste and academic putting the European traditional categories, such as tools for artistic practice. The research methodology seeks an understanding and integration method of circulating today in the speech of Brazilian art, some excluded dimensions of modern Brazilian art so as to include interests aspects of Brazilian modern art.
References
ANDRADE, M. In The modernist movement: Aspects of the visual arts. Belo Horizonte: Itatiaia, 1984, 3rd Ed, p. 251.
ANJOS, M. Far too close or to find out what it is, Rev. Art & Essay - Special Edition, 2007, pp. 32-51.
CANCLINI, N. Diferentes, Desiguais e Desconectados, Rio de Janeiro, Ed. UFRJ, 2009, p. 51.
CHIARELLI, T. A arte brasileira Gonzaga-Duque, Arte: Ensaios e Documentos, Mercado Letras, pp. 9-52.
COUTO, M. F. M. Tupy or not Tupy, cannibalism today, In: Proceedings of the XXIX Symposium of the Brazilian Committee of History of Art, Victoria, August 2009, p. 343.
CRISTOVÃO, F. La Semaine de l’art moderne de 1922 sept jours qui ébralèrent la culture, Le Courrier Unesco, decembre 1986, pp. 37-42.
FIAMINGHI, H. In: Abstracionismo Geométrico e Informal, a vanguarda brasileira nos anos cinquenta, Funarte, Rio de Janeiro, 1987, p. 133.
FRASER, A. Da critica às instituições a uma instituição da critica. In: Concinnitas, Revista do Instituto de Artes da UERJ, dez. 2008, pp. 179-187.
LABBAT, J. La critique de l’art abstrait dans la press periodique française de 1945 à 1950, Maitrise d’histoire de l’art, Univ. Pris IV – Sorbonne, 1991-1992, p. 11.
MORAIS, F. ‘Porque a vanguarda brasileira é Carioca’, In: A crise da hora atual, Rio de Janeiro, Ed. Paz e Terra, 1975.
PAIVA, Rodrigo Otávio da Silva. In: Escultura: Unidade Tripartida, Verlag, Ed., 13. Marz Berlin, 2011, p. 55.
PIGNATARI, D. In: Abstracionismo Geométrico e Informal, a vanguarda brasileira nos anos cinquenta, Funarte, Rio de Janeiro, 1987, p. 76.
VIDAL, L. & Silva, AL Studies of aesthetic anthropology, aesthetic anthropology: theoretical approaches and methodological contributions, São Paulo, Edusp, FAPESP, Studio Nobel, 1992, p. 279.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2021 Journal of Art History and Culture