Keywords
Kinetic Art
Chromatic painting
Color theory
Carlos Cruz-Diez
How to Cite
Abstract
This article points to the key elements that constitute the poetics of Fisicromia series developed by Venezuelan artist Carlos Cruz-Diez between the years of 1959 and 2011. The analysis of some works that comprise the phases of the series allows us to observe the trajectory of an aesthetic firmly based on the subject of color, seen by the artist as manifestation of light in space, endowed with dynamism and mutability, and therefore liable to be seen as an event.
References
BENKO, Susana. A todo color – Carlos Cruz-Diez. México: Ediciones Tecolote, 2006, p. 6.
BOMFORD, David. “The history of color in art”. Disponível em: . Acesso em 27 de abril de 2013, às 16h30.
BRODSKY, Estrellita. “Carlos Cruz-Diez”. BOMB Magazine. Nova York: New Arts Publications no 110, Inverno de 2010. Disponível em: . Acesso em 2 de maio de 2013, às 15h00.
CLAY, Jean, “Cruz-Diez and the three stages of modern color”, in OLEA, H., Op. cit., p. 407.
OLEA, Héctor, “The Dialectics of chrono-chromatic space”, in OLEA, Héctor; RAMIREZ, Mari Carmen (eds.) Carlos Cruz-Diez — Color in space and time. Exhibition catalog. Museum of Fine Arts, Houston, and the CruzDiez Foundation, Houston. New Haven: Yale University Press, 2011, p. 36.
RIVERA, Francisco, “Carlos Cruz-Diez”, El Universal, Caracas, Venezuela, 31 de maio de 1981, p. 12.
SALVADOR, José Maria, “Aproximación a Carlos Cruz-Diez. Un análisis de la percepción del color”. El Universal, Caracas, Venezuela, 16 de maio de 1982, pp. 3-4.
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