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Sartre and arts
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Keywords

Sartre
Tintoretto
Ecphrasis
Aesthetics and philosophy

How to Cite

OLIVEIRA, Carla Mary da Silva. Sartre and arts: Tintoretto, the Venice’s sequestratto. Journal of Art History and Culture, Campinas, SP, n. 23, p. 109–129, 2021. DOI: 10.20396/rhac.vi23.13551. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/rhac/article/view/13551. Acesso em: 1 sep. 2024.

Abstract

Jean-Paul Sartre, a French structuralist philosopher and intellectual who died in 1980, had a special appreciation for Italy, and on his travels to that country, especially when visiting Venice, he always let himself be carried away by the enchantment caused by the work of Tintoretto, on whom a day he meant to write an extensive work which, however, never got to finish. This article treats precisely the fragmentary writings of Sartre on the Venetian painter, understood it as an aesthetic and phenomenological analysis that approximates Sartre to the writings of Merleau-Ponty on Paul Cézanne and Deleuze on Francis Bacon.

https://doi.org/10.20396/rhac.vi23.13551
PDF (Português (Brasil))

References

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Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2020 Carla Mary da Silva Oliveira

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