Palavras-chave
Cinema
Musicar local
Decolonial
Multimodal
Como Citar
Resumo
Após a independência de Moçambique de Portugal em 1975, tanto a música quanto o cinema foram vistos como ferramentas essenciais na construção revolucionária de uma identidade nacional nova e unificada. Um Instituto Nacional de Cinema foi criado para produzir e distribuir filmes em todo o país e, em um país com 43 idiomas diferentes e altos níveis de analfabetismo, descobriu-se que os filmes musicais eram eficazes para transcender as barreiras culturais e linguísticas da nação dividida colonialmente. Um filme que exemplifica a importância dos filmes musicais nessa época é a odisseia musical etnográfica e reflexiva Sing My Brother - Help Me to Sing (CANTA, 1981). Este artigo multimodal se concentra em uma cena desse filme em que um homem e uma mulher tocam música juntos no norte de Moçambique para refletir sobre como a música comunitária por meio do filme contribuiu para a transmissão de conhecimento na época e como, quarenta anos depois, 30 jovens moçambicanos produziram sua resposta multimodal, feminista, musical e igualmente decolonial.
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Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Copyright (c) 2023 Karen Boswall
