Musicares cinematográficos en Mozambique
Na imagem, a margem esquerda contém informações bibliográficas da revista, enquanto no centro superior encontra-se o logotipo. Abaixo do logotipo, há um desenho rabiscado com quatro pessoas parcialmente sobrepostas, cada uma com poses diferentes das mãos: duas com as mãos próximas ao peito, uma cobrindo os ouvidos mais ao fundo e outra puxando a cabeça para a direita.
PDF (English)

Palabras clave

Mozambique
Cine
Música local
Decolonial
Multi-modal

Cómo citar

BOSWALL, Karen. Musicares cinematográficos en Mozambique: lecciones del pasado revolucionario y modelos para el futuro decolonial. PROA: Revista de Antropologia e Arte, Campinas, SP, v. 13, p. e023020, 2024. DOI: 10.20396/proa.v13i.17681. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/proa/article/view/17681. Acesso em: 22 jul. 2024.

Resumen

Tras la independencia de Mozambique de Portugal en 1975, tanto la música como el cine se consideraron herramientas esenciales en la construcción revolucionaria de una identidad nacional nueva y unificada. Se creó un Instituto Nacional de Cinematografía para producir y distribuir películas por todo el país, y en un país con 43 lenguas diferentes y altos niveles de analfabetismo, se descubrió que las películas musicales eran eficaces para trascender las barreras culturales y lingüísticas de la nación dividida colonialmente. Una película que ejemplifica la importancia del cine musical en esta época es la odisea musical etnográfica y reflexiva Canta mi hermano - Ayúdame a cantar (CANTA, 1981). Este artículo multimodal se centra en una escena de esta película en la que un hombre y una mujer tocan música juntos en el norte de Mozambique para reflexionar sobre cómo la música comunitaria a través del cine contribuyó entonces a la transmisión de conocimientos, y cómo cuarenta años después 30 jóvenes mozambiqueños produjeron su respuesta multimodal, feminista, musical e igualmente decolonial

https://doi.org/10.20396/proa.v13i.17681
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Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

Derechos de autor 2023 Karen Boswall

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