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The agrarian matter of the Georgias inserts the second poem of Virgil, composed in ca. 37-30 BC, among the Latin technical texts. Affiliated to the Hesiodic tradition, the poem brings the tripod characteristic of the genre: the master, the matter and the disciple. Moreover, the historical moment in which the poem was composed is conducive to ruptures in the linear reading of the transmission of a technical matter. At the end of Book 1, the poem reveals a chaotic world of civil wars and assassinations; Book 2 paradoxically causes a remarkable change of mind: the chaotic world gives way to the joy provided by Bacchus and the abundant harvests. This paradoxical treatment seems to provoke strains in this matter and seems to prepare the space for Virgil to reflect on the Rome of his time, from the political and philosophical point of view. The expressiveness of poetic language is another factor that focuses on the ambiguities of the poem, creating the image that the field dramatizes human existence.
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