Abstract
In this text we propose to think about some monochromatic images by Francisco Laranjo based on the concepts of intuition and feeling of form. The only possible concession to the being of poetics is such a truth that it is preserved in the expression of its own necessity. In art, relationships of sharing with others imply being in the presence of that which connects different cultures and polarities. The energies of art open up from within, and this is how an investigation is fueled, through otherness, through renewal.
References
BACHELARD, Gaston. A intuição do instante. Campinas, SP: Verus Editora, 2010.
GOETHE, Johann Wolfgang. O jogo das nuvens. Porto: Assírio e Alvim, 2003
KOREN, Leonard. Wabi-sabi para artistas, designers, poetas e filósofos. Rio de Janeiro: Cobogó, 2019.
LAMBERT, Fátima. Pintura portuguesa contemporânea. Colecção Instituto Politécnico do Porto. Porto: IPP, 2005.
LARANJO, Francisco. Solidão e utopia. Porto: Modo de ler, 2013.
LARANJO, Francisco. Investigação e arte: enunciação e propósitos. ARS (São Paulo), [S. l.], v. 10, n. 20, p. 96-103, 2012. DOI: 10.11606/issn.2178-0447.ars.2012.64426. Disponível em: https://www.revistas.usp.br/ars/article/view/64426. Acesso em: 29 out. 2023.
MARTINI, Renato da S. Trans/Form/Ação. São Paulo. 21/22: 43-51, 1998/1999, https://doi.org/10.1590/S0101-31731999000100006
NIETZSCHE, Friedrich. Obras incompletas. São Paulo: Ed. 34, 2014
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2023 Revista Visuais