Keywords
Graphic discourses
Artistic research
Social development
Altered photography
How to Cite
Abstract
This research is based on a direct experience of reconciliation with contemporary art through graphic discourses capable of making society reflect on its development and advancement. Through first-person conversations between artists thanks to a research stay in Lisbon during 2021, theories and concepts are postulated that foster the artistic production of a set of current works on the pandemic and how it affects humanity. In conclusion, contemporary art is still possible, as well as its communion with society, so it is a choice for artists and spectators to trust each other again.
References
Deleuze, G. y Guattari, F. Mil mesetas. Capitalismo y esquizofrenia. Valencia: Ed. Pre-Textos, 2002.
Derrida, J. Mal de archivo. Una impresión freudiana. Madrid: Ed. Trotta, 1977.
Marcuse, H. El hombre unidimensional. Ensayo sobre la ideología de la Sociedad industrial avanzada. Barcelona: Ed. Planeta-De Agostini, 1993.
Prensky, M. “Nativos Digitales, Inmigrantes Digitales” en On the Horizon [en línea] Vol. 9, Nº 5, octubre, 2001. Disponible en: http://files.educunab.webnode.cl/200000062-5aba35bb22/Nativos-digitales-parte1.pdf. [Consultado el 24 de diciembre de 2016].
Salteiro, I. O Centro do Mundo. Lisboa: Ed. DPI Cromotipo Lda, 2013.
Salteiro, I. Arte Contemporânea, produção de patrimonio cultural. Lisboa: Ed. FBAUL-CIEBA, 2017a.
Salteiro, I. Faróis e Tempestades: anotações sobre um proceso artístico de pintura. Lisboa: Ed. FBAUL-CIEBA, 2017b.
Salteiro, I. (Coord.). Galerias Abertas das Belas-Artes: Um Projeto. Lisboa: Ed. FBAUL-CIEBA, 2019.
Wands, B. Art of the Digital Age. Nueva York: Ed. Thames & Hudson, 2006.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2022 Revista Visuais
