Banner Portal
Aesthetics of corporeality and skin-deep spectatorships in contemporary cinema
Capa: Marta Strambi, "Molotove-me" (detalhe), objeto/performance, 2019.
PDF (Português (Brasil))

Keywords

Cinema and body
Sensoriality
Haptic visuality
Carnal resonance
Body-camera

How to Cite

VIEIRA JUNIOR, Erly Milton. Aesthetics of corporeality and skin-deep spectatorships in contemporary cinema. Revista Visuais, Campinas, SP, v. 7, n. 2, p. 32–50, 2021. DOI: 10.20396/visuais.v7i2.15913. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/visuais/article/view/15913. Acesso em: 22 jul. 2024.

Abstract

Based on researchs on the sensoriality of audiovisual media, we will investigate some modes of contemporary bodily engagement – aesthetic and narrative strategies that seek to summon and intertwine three categories of bodies: actor’s bodies, spectatorial bodies and the film's own body. There are three modes of engagement addressed here: haptic visuality/listening, based on tactility and activation of sensory memories; carnal resonance, which involves rhythmic and choreographic aspects of images and sounds; and the body-camera, conceived here as a set of intimacy production strategies that establish a proprioceptive/incarnated relationship between viewer and film.

https://doi.org/10.20396/visuais.v7i2.15913
PDF (Português (Brasil))

References

BALTAR, Mariana. Entre afetos e excessos: Respostas de engajamento sensório-sentimental no documentário brasileiro contemporâneo. In: Rebeca: Revista brasileira de estudos de cinema e audiovisual, São Paulo, ano 2, n. 4, julho-dezembro de 2013.

BARKER, Jennifer. The Tactile Eye: Touch and the cinematic experience. Berkeley: University of California, 2009.

BARTHES, Roland. O rumor da língua, São Paulo: Cultrix, 2004.

BRUNO, Giuliana. Motion and emotion: Film and haptic space. ECO-Pós, Rio de Janeiro, volume 13, n. 2, 2010.

CHION, Michel. A audiovisão: Som e imagem no cinema. Lisboa: Texto&Grafia, 2011.

DEL RÍO, Elena. The body as a foundation on the screen: Allegories of technology in Atom Egoyan’s Speaking parts. Camera Obscura, Durham, n.38, setembro de 1996.

ELSAESSER, THOMAS e HAGENER, Malte. Teoria do cinema: Uma introdução através dos sentidos. Campinas: Papirus, 2018.

GIBSON, James J. The senses considered as perceptual systems. Boston: Mifflin, 1966.

JONES, Kent. Evidencia Física: Escritos selectos sobre cine. Santiago (Chile): Uqbar Editores, 2009.

MARKS, Laura. The Skin of Film. Londres/Durham: Duke University Press, 2000.

MARKS, Laura. Touch: Sensuous theory and multisensory media. Minneapolis: University of Minnesota Press, 2002.

MERLEAU-PONTY, Maurice. O cinema e a nova psicologia. In: XAVIER, Ismail (org.). A experiência do cinema. Rio de Janeiro: Graal/Embrafilme, 1983.

PAASONEN, Susanna. Carnal resonance: Affect and online pornography. Cambridge: MIT Press, 2011.

PRINCE, Stephen. True lies: Perceptual realism, digital images and film theory. Film quarterly, Berkeley, n.49, v.3, 1996.

QUINLIVAN, Davina. The place of breath in cinema. Edinburgh: Edinburgh University Press, 2012.

ROUNTHWAITE, Adair. From this body to yours: porn, affect and performance art documentation. Camera Obscura, Durham, v. 26, n. 3, 2011.

SARMET, Érica e BALTAR, Mariana. Pedagogias do desejo no cinema queer contemporâneo. Textura, Canoas,v.18, n.38, 2016.

SCHNEIDER, Rebecca. Archives: Performance remains. In: Performance research, Aberystwyth (País de Gales), v.6, n.2, 2001.

SHAVIRO, Steven. O corpo cinemático. São Paulo: Paulus, 2015.

SILVA, Camila Vieira da. Como organizar bons encontros? Sobre os afetos e corpos em Shara, de Naomi Kawase. Passagens, Fortaleza, v.2, fevereiro de 2013.

SOBCHACK, Vivian. The address of eye: A phenomenology of film experience. Princeton: Princeton University Press, 1992.

SOBCHACK, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004.

WILLIAMS, Linda. Bodies, Gender, Genre and Excess. In: Film Quarterly, Berkeley, v.44, n.4, 1991.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Copyright (c) 2021 Revista Visuais

Downloads

Download data is not yet available.