Abstract
In this text that introduces her work, Le Corps-caméra: le performer et son image, Sophie Delpeux wonders what the place performance images occupy in the context of the body arts. In this sense, the author leads us on a reflective path that makes us see in these period documents, not a substitute for performance, but another legitimate instance of experience. For this dossier, Delpeux added some initial lines to give us an account of the current state of his research.
References
BELTING, Hans. The invisible masterpiece. Chicago: University of Chicago Press, 2001.
CRIMP, Douglas. Pictures. In: October, n 8, 1979, p. 75-88.
DERRIDA, Jacques. La verité en peinture. Paris: Flammarion, 1978.
FRIED, Michael. Art and objecthood. In: Artforum, verão de 1967.
KAPROW, Allan. The legacy of Jackson Pollock. In: Essays on the Blurring of Art and Life (1958).