The singing-dance of the guarani peoples, their cosmic territoriality and the ethnography as modal anthropology

Abstract

This article intends to configure a modal anthropology as ethnography of the singing-dance of the Guarani peoples, from a review of the literature on the subject and ethnographic research mediated by audiovisual production processes, carried out between mbya and nhandeva groups, in the last decade. Understanding the ways of existence of the Guarani peoples and the centrality of relations of alterity for them, is what animates our creation process that goes from ethnographic film to cartography of the great invisible Guarani territory.