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Comparing two editions of epigrammatic poetry published by the Portuguese humanist Antônio de Gouveia, in Lyon, France, in 1539 and 1540, it is possible to note the stylistic criteria of composition, based on characteristic resources of Classical Latin and on traditional elements of Ancient Literature, observing especially the imitation of the pattern of poets as Martial, Ovid and, above all, Virgil, whose influence is notable when the Renaissance poet did the revision of his work.Referências
CATULO. O livro de Catulo. Tradução, introdução e notas deJoao Angelo Oliva Neto. Sao Paulo: Edusp, 1996.
GOUVEIA, Antônio de. Antonii Goueani Lusitani epigrammaton libn• duo. Lugdunum (Lyon), 1539.
GOUVEIA, Antônio de. Antonii Goueani Epigrammata. Eiusdem Epistolae Quattuor. Lugdunum (Lyon), 1540.
HINDS, Stephen. Allusion and intertext. Dynamics of appropriation in Roman poetry. Cambridge: CUP, 2003.
LAURENS, Pierre. L'abeille dans l'ambre. Paris: Les Belles-Lettres, 1989.
MATOS, Luís. Sobre António de Gouveia e a sua obra. Separata do Boletim Internacional de Bibliografia Luso-Brasileira, volume VI I, número 4. Lisboa: Fundação Calouste Gulbenkian, 1966.
MATOS, Luís. Les Portugais en France au XVIe siècle. Coimbra: UC, 1952.
MURARASU, D. La poésie néolatine et la renaissance des lettres antiques en France (15001549). Paris: J. Gamber, 1926.
OVÍDIO. Heroides. Amores. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1986.
OVÍDIO. The art oflove and other poems. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1985.
OVÍDIO. Tristia. Ex Ponto. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1988.
WEST, David & WOODMAN, Tony. Creative imitation and Latin literature. Cambridge: Cambridge University Press, 1979.
WILLIAMS, Gordon. Tradition and originality in Roman poetry. Oxford: Clarendon Press, 1985.