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Ao analisar-se a narrativa homérica como um composto de diferentes práticas discursivas culturalmente (de)marcadas, busca-se inter-relacionar o contexto poético-performático que permitiu o desenvolvimento daqueles que até nós foram transmitidos como dois poemas acabados, a Ilíada e a Odisseia, e as variáveis que determinam os discursos apresentados pelas personagens desses poemas.2 Não se trata apenas de explorar a clivagem entre o discurso do narrador e os de seus heróis, mas de verificar até que ponto a performance do aedo exige da audiência uma recepção crítica diante daquilo que é apresentado e se essa postura está embutida na própria narração.Referências
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