Resumo
O artigo discute o processo criativo de uma performance multimodal intitulada Ode ao Christus Hypercubus de Salvador Dalí. É uma composição e performance auxiliada por computador envolvendo música, poesia e imagens. A execução da Ode pretende mergulhar o público numa Catedral imaginária e convidá-lo a redescobrir e recriar significados para a obra-prima do catalão. O artigo apresenta pontos de vista teóricos, elucida o processo composicional e finalmente descreve como o sistema computacional controla a performance em tempo real.
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