Ethological concepts on the communication of symbolic musical meanings
PDF (Português (Brasil))

Keywords

Musical meaning
Emotions
Nonverbal communication

How to Cite

PENHA, Bernardo; NOVO JÚNIOR, José Eduardo Fornari. Ethological concepts on the communication of symbolic musical meanings. NICS Reports, Campinas, SP, v. 6, n. 21, p. 1–8, 2017. Disponível em: https://econtents.bc.unicamp.br/pas/index.php/nicsreports/article/view/183. Acesso em: 3 jul. 2024.

Abstract

Ethology is a subfield of Zoology that studies animal behavior, gestures and patterns of expression in order to obtain information about their emotional state. These ideas can be used for the study of emotions evoked by music, in terms of musical listening and/or performance. This work investigates the occurrence of musical meaning generated by the manipulation of sound objects (in terms of expressed or perceived meaning), as well as its following effects in the listeners, such as evoked emotion. This article aims to relate analytical psychology, on symbols and the unconscious mind, with principles of ethology, on animal (including human) communication, in relation to the cognitive, emotional and behavioral processes related to music listening. 

PDF (Português (Brasil))

References

BRANDT, A. Music and the abstract Mind. The Journal of Music and Meaning, v. 7, 2009.

CLAYTON, M., SAGER, R., WILL, U. In time with the music: the concept of entrainment

and its significance for ethnomusicology. In: EUROPEAN MEETINGS IN

ETHNOMUSICOLOGY (11.), 2005. Proceedings of the European Meetings in

Ethnomusicology. Romanian Society for Ethnomusicology, 2005.

DAMÁSIO, A. O Mistério da Consciência: Do corpo e das emoções ao conhecimento de si.

São Paulo: Companhia das Letras, 1999.

DAMÁSIO, A. Fundamental Feelings. Nature, v. 413, 2001.

DAVID, C. M. O. Objeto Sonoro em Freud. Psicanálise & Barroco - Revista de Teoria

Psicanalítica, v. 7, Juiz de Fora, MG, 2006/2007.

ESCHEN, J. Th. Analytical Music Therapy. Jessica Kingsley Publishers, 2002.

GARCIA-ROZA, L. A. Freud e o inconsciente. 24a. Edição. Rio de Janeiro: Jorge Zahar

Editor, 2009.

GREEN, J. Understanding the Score: Film music communicating to and influencing the

audience. University of Illinois Press. Journal of Aesthetic Education, v. 44, n. 4, pp. 81-94,

HURON, David. Understanding music-related emotion: Lessons from ethology. In:

CAMBOUROPOULOS, E., TSOUGRAS, C., MAVROMATIS, P., & PASTIADIS, K.

Proceedings of the 12th International Conference on Music Perception and Cognition.

Thessaloniki, Greece: 2012c, pp. 473-482.

HURON, D., YIM, G. & CHORDIA, P. The effect of pitch exposure on sadness judgments:

An association between sadness and lower-than-normal pitch. In DEMOREST, S. M.,

MORRISON, S. J., CAMPBELL, P. S. Proceedings of the 11th International Conference on

Music Perception and Cognition. Seattle, Washington: 2010. pp. 63-66.

HURON, D., & DAVIS, M. The effect of scale degree modifications on average interval size.

In: DEMOREST, S. M., MORRISON, S. J., & CAMPBELL, P.S. Proceedings of the 11th

International Conference for Music Perception and Cognition. Seattle, Washington: 2010b.

HURON, D. A comparison of average pitch height and interval size in major- and minor-key

themes: Evidence consistent with affect-related pitch prosody. Empirical Musicology Review,

v. 3, n. 2, pp. 59-63, 2008.

JUNG, C. G. O Homem e seus Símbolos. 6a

Edição. Rio de Janeiro: Editora Nova Fronteira

S.A., 2008.

JUNG, C. G. Os Arquétipos e o Inconsciente Coletivo. 2a

Edição. Petrópolis, RJ: Editora

Vozes Ltda, 2002.

JUSLIN, P., LAUKKA, P. Communication of Emotions in Vocal Expression and Music

Performance: Different Channels, Same Code? Psychological Bulletin, v. 129, n. 5, pp. 770–

, 2003.

NEBENZAHL, B. F. The Narative Power of Sound: Symbolism, emotion & meaning

conveyed through the Interplay of sight and sound in Terrence Malick´s Days of Heaven.

University of California, Los Angeles, 2000.

PANKSEPP, J. The emotional antecedents to the evolution of music and language. Musicœ

Scientiœ. Special Issue, pp. 229-259, 2009/2010.

PANKSEPP, J., BERNATZKY, G. Emotional sounds and the brain: the neuro-affective

foundations of musical appreciation. Behavioral Processes,v. 60, pp. 133-155, 2002.

PATEL, A. Music, Language, and the Brain. Oxford, USA: Oxford University Press, 2008.

REZNIKOFF, I. On Primitive Elements of Musical Meaning. The Journal of Music and

Meaning, v. 3, Fall, Section 2, 2004/2005.

SCHÄFER, T., SEDLMEIER, P., STÄDTLER, C., HURON, D. (2013). The Psychological

functions of music listening. Frontiers in Psychology.

SCHERER, K., COUTINHO, E.. How music creates emotion: a multifactorial process

approach. In: The emotional power of music. Oxford University Press, 2013.

SCHLAUG, G. et al. Effects of voice on emotional arousal. Frontiers in Psychology, v. 4, n.

, 2013.

SOLANKI, M. S., ZAFAR, M., RASTOGI, R. Music as a Therapy: Role in psychiatry. Asian

Journal of Psychiatry, pp.193-199, 2013.

TREHUB, S., HANNON, E., SCHACHNER, A. Perspectives on music and affect in the early

years. 2010.

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2017 NICS Reports

Downloads

Download data is not yet available.