An a-life approach to machine learning of musical worldviews for improvisation systems
PDF (English)

Palavras-chave

Machine learning
Music

Como Citar

GIMENES, Marcelo; MIRANDA, Eduardo R. An a-life approach to machine learning of musical worldviews for improvisation systems. NICS Reports, Campinas, SP, v. 1, n. 1, p. 1–19, 2012. Disponível em: https://econtents.bc.unicamp.br/pas/index.php/nicsreports/article/view/323. Acesso em: 3 jul. 2024.

Resumo

In this paper we introduce Interactive Musical Environments (iMe), an interactive intelligent music system based on software agents that is capable of learning how to generate music autonomously and in real-time. iMe belongs to a new paradigm of interactive musical systems that we call “ontomemetical musical systems” for which a series of conditions are proposed.

PDF (English)

Referências

Miranda, E.R., The artificial life route to the origins of music. Scientia, 1999. 10(1): p. 5-33.

Biles, J.A. GenJam: A Genetic Algorithm for Generating Jazz Solos. in International Computer Music Conference. 1994.

Miranda, E.R., Emergent Sound Repertoires in Virtual Societies. Computer Music Journal, 2002. 26(2): p. 77-90.

Miranda, E.R., At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody. Evolutionary Computation, 2004. 12(2): p. 137-158.

Meyer, L.B., Style and Music: Theory, History, and Ideology. 1989, Philadelphia: University of Pennsylvania Press.

Park, M.A., Introducing Anthropology: An Integrated Approach. 2002: McGraw-Hill Companies.

Dawkins, R., The Selfish Gene. 1989, Oxford: Oxford University Press.

Cope, D., Computers and Musical Style. 1991, Oxford: Oxford University Press.

Rowe, R., Interactive Music Systems: Machine Listening and Composing. 1993: MIT Press.

Pachet, F., Musical Interaction with Style. Journal of New Music Research, 2003. 32(3): p. 333-341.

Assayag, G., et al. Omax Brothers: a Dynamic Topology of Agents for Improvization Learning. in Workshop on Audio and Music Computing for

Multimedia, ACM Multimedia. 2006. Santa Barbara.

Snyder, B., Music and Memory: An Introduction. 2000, Cambridge, MA: MIT Press.

Eysenck, M.W. and M.T. Keane, Cognitive Psychology: A Student's Handbook. 2005: Psychology Press.

Cox, A., The mimetic hypothesis and embodied musical meaning. MusicæScientiæ, 2001. 2: p. 195–212.

Jan, S., Replicating sonorities: towards a memetics of music. Journal of Memetics - Evolutionary Models of Information Transmission, 2000. 4.

Gabora, L., The Origin and Evolution of Culture and Creativity. Journal of Memetics, 1997.

Creative Commons License
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.

Copyright (c) 2024 NICS Reports

Downloads

Não há dados estatísticos.