Palavras-chave
Improvisational solo performances
Como Citar
Resumo
Free improvisation lets the performer to openly explore musical outcomes unbounded by any musical structure or notation. However, the human mind is naturally constrained by its own built-in habits. As such, musicians usually develop, during years of practice and aesthetic predilections, a repertoire of self-known musical patterns which are intentionally, and sometimes unconsciously, retrieved and used by them during improvisations.
This work presents an algorithm that aims to retrieve in real-time similarities during sessions of free improvisation of certain specific sound features so the musician can better manage his repertoire of musical patterns instead of be unconsciously guided by habits.
Referências
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Elizabeth H. Margulis (2005). "A model of melodic expectation". Music Perception.
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