Palavras-chave
Psicanálise
Memória
Melanie Klein
Impulso criativo
Como Citar
Resumo
Este artigo procura explorar a noção de secundarização do conteúdo, apontando as limitações da abordagem psicanalítica da estética explorada por Sigmund Freud, no momento de analisar e compreender o impulso criativo do artista. Neste enquadramento, reconhece-se na abordagem Kleiniana, a capacidade para explorar este território, relacionando os aspetos formais que a definem, com o elemento da memória enquanto ferramenta prática e teórica. Desta forma estabelece-se uma ponte entre os dois territórios, possibilitando uma exploração focada na compreensão dos motivos por detrás do impulso criativo e independente das especificidades do conteúdo resultante.
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