The Beguiled: forms and affections’ symmetries of Siegel and Eastwood

Abstract

The movie The Beguiled had montage and narrative symmetries which approach of oeuvre by director Clint Eastwood. This esthetic mechanisms could read through the movements that the landscape insertions in the narrative of the movie. The way
they reappear in the Eastwood’s oeuvre suggests that they had a stylistic joined, which fluctuates on different thematic and movies.