Banner Portal
Alexandre Magno, caçador de leões

Versions

PDF

Keywords

Alexandre Magno
Caça ao leão
Arte helenística
Mosaico de Pela
Crátero

How to Cite

AMARAL BIAZOTTO, Thiago. Alexandre Magno, caçador de leões: Mosaico de Pela e a doação de Crátero em Delfos. Figura: Studies on the Classical Tradition, Campinas, SP, v. 8, n. 2, p. 71–117, 2020. DOI: 10.20396/figura.v8i2.13711. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/13711. Acesso em: 19 apr. 2024.

Abstract

This article argues in favor of a connection between the Craterus' ex-voto at Delphi and the Pella Mosaic, that shows a lion hunting scene with two hunters. It seeks to demonstrate that the mosaic is a copy of the original sculptures, made by Lysippos and Leochares, and, moreover, that the House of Dionysus may have belonged to Craterus' family.

https://doi.org/10.20396/figura.v8i2.13711
PDF

References

BRIANT, Pierre. “Les chasses d’Alexandre”. Ancient Macedonia, n. 5, 1993, pp. 267-277.

COHEN, Ada. Art in the Era of Alexander the Great: Paradigms of Manhood and their Cultural Traditions. Cambridge: Cambridge University Press, 2010, p. 64.

MANN, Thomas. Doutor Fausto. Tradução de Herbet Caro. Rio de Janeiro: Nova Fronteira, 2000 [1947], p. 245.

OLBRYCHT, Marek Jan. “The Diadem in the Achaemenid and Hellenistic Periods”. Anabasis: Studia Classica et Orientalia, n. 5, 2014, p. 180.

MORENO, Paolo. Apelles. The Alexander Mosaic. Tradução de David Stanton. Milano: Skira, 2001, pp. 102-104. 8 CHUGG, Andrew. Alexander's Lovers. Raleigh: Lulu, 2006, pp. 78-79.

VOUTIRAS, Emmanuel. “Zur historischen Bedeutung des Krateros-Weihgeschenkes in Delphi”. Würzburger Jahrbücher für die Altertumswissenschaft, n. 10, 1984, pp. 57-58.

STEWART, Andrew. Faces of Power: Alexander's Image and Hellenistic Politics. Berkley: University of California Press, 1993, p. 409.

HOMOLLE, Théophile. “La chasse d'Alexandre”. Bulletin de Correspondance Hellénique, n. 21, 1897, pp. 598-600.

BOSWORTH, Albert Brian. Conquest and Empire: the reign of Alexander the Great. Cambridge: Cambridge University Press, 1988, pp. 134; 157.

LANE FOX, Robin. Alexander the Great. London: Penguin, 1986 (1973), pp. 325; 429 e 474.

CARTLEDGE, Paul. Alejandro Magno. La búsqueda de un pasado desconocido. Tradução de David León Gómez. Barcelona: Ariel, 2007 (2004), p. 89.

ERRINGTON, Robert. “From Babylon to Triparadeisos: 323-320 B.C.”. The Journal of Hellenic Studies, vol. 90, 1970, pp. 49- 77.

ANSON, Edward. “The Macedonian Patriot: The Diadoch Craterus”. The Ancient History Bulletin, n. 26, 2012, pp. 49-58.

PERDRIZET, Paul. “Communication: La Venatio Alexandri à Delphes”. Bulletin de Correspondance Hellénique, vol. 22, 1898, pp. 566-569.

PERDRIZET, Paul. “Venatio Alexandri”. The Journal of Hellenic Studies, vol. 19, 1899, pp. 273- 279.

PASPALAS, Stavros. “The taurophonos Leon and Craterus’ Monument at Delphi”. In: TSETSKHLADZE, Gocha (Ed.) et alli. Periplous. Papers on Classical Art and Archaeology presented to Sir John Boardman. London: Thames & Hudson, 2000, pp. 211-219.

SEYER, Martin. “The Royal Hunt —The Symbolic Meaning of an Ancient Topos.” In: PRINZ, Armin (Ed.). Hunting Food and Drinking Wine: Proceedings of the XIXth Congress of the International Commission for the Anthropology of Food. Vienna: Transaction Publishers, 2006, pp. 184-186.

CARNEY, Elizabeth. King and Court in Ancient Macedonia. Swansea: The Classical Press of Wales, 2015, p. 278.

PALAGIA, Olga. The Impact of Alexander the Great on the Arts of Greece. Leiden: The Babesch Foundation, 2015, p. 6.

BORZA, Eugene. “The Macedonian Royal Tombs at Vergina: Some Cautionary notes”. Archaeology News, vol. 10, 1981, p. 109.

ALONSO TRONCOSO, Víctor. “The Zoology of Kingship from Alexander to the Epigoni (336 – C. 250 BC). Anabasis: Studia Classica et Orientalia, n. 5, 2014, p. 59.

ONIANS, John. Classical art and the cultures of Greece and Rome. New Haven: Yale University Press, 1999, p. 110.

DUNN, Charlotte & WHEATLEY, Pat. “Craterus and the Dedication Date of the Delphi Lion Monument”. The Ancient History Bulletin, vol. 26, 2012, pp. 39-48.

PICARD, Charles. “Le mosaïste grec Gnôsis et les nouvelles Chasses de Pella”. Revue Archéologique, v. 1, 1963, pp. 205-209.

MAKARONAS, Charles. “Pella Capital of Ancient Macedonia”. Scientific American, vol. 215, n. 6, 1966, pp. 98-105.

ROBERTSON, Martin. “Greek Mosaics”. The Journal of Hellenic Studies, vol. 85, 1965, pp. 72- 89.

ROBERTSON, Martin. “Greek Mosaics: A Postscript”. The Journal of Hellenic Studies, vol. 87, 1967, pp. 133-136.

ROBERTSON, Martin. “Early Greek Mosaic”. Studies in the History of Art, vol. 10, 1982, p. 246.

HAVELOCK, Christine. Hellenistic art: The art of the classical world from the death of Alexander the Great to the Battle of Actium. London: Phaidon, 1971, pp. 242-245.

ANDRONIKOS, Manolis (Ed.) et alli. The Search for Alexander: an exhibition. Columbus: Little, Brown and Company. 1980, p. 220.

ANDERSON, John Kinloch. Hunting in the Ancient World. Berkley: University of California Press, 1985, p. 79.

BRIANT, Pierre. “Chasses royales macedoniennes et chasses royales perses: le theme de la chasse au lion sur la Chasse de Vergina”. Dialogues d’historie ancienne, n. 17, 1991, pp. 216- 217; 224.

TRIPODI, Bruno. “Il fregio della caccia della II tomba reale di Vergina e le cacce funerarie d’Oriente”. Dialogues d’histoire ancienne, n. 17, 1991, pp. 159-160.

BURN, Lucilla. Hellenistic art: from Alexander the Great to Augustus. London: British Museum, 2004, pp. 44-45.

FRANKS, Hallie. Hunters, Heroes, Kings: The Frieze of Tomb II at Vergina. Rome: American School of Classical Studies. 2012 pp. 62-64.

STEWART, Andrew. “Alexander in Greek and Roman Art”. In: ROISMAN, John (Org.). Brill’s Companion to Alexander the Great. Leiden: Brill, 2003, pp. 38; 45.

STEWART, Andrew. Art in the Hellenistic world: an introduction. Cambridge: Cambridge University Press, 2014, pp. 197-201.

PALAGIA, Olga. “Hephaestion’s Pyre and the Royal Hunt for Alexander”. In: BOSWORTH, Albert Brian. & BAYNHAM, Elizabeth (Orgs.) Alexander the Great in Fact and Fiction. Oxford: Oxford University Press, 2000, pp. 184-186.

BORZA, Eugene & PALAGIA, Olga. “The chronology of the Macedonian royal tombs at Vergina”. Jahrbuch des Deutschen Archäologischen Instituts, n. 122, 2007, p. 97.

PALAGIA, Olga. “Hellenistic Art”. In: LANE FOX, Robin. (Ed.). Brill Companion to Ancient Macedon: Studies in the Archaeology and History of Macedon – 650 BC-300 AD. Leiden: Brill, 2011, p. 489.

PALAGIA, Olga. “The Reception of Alexander in Hellenistic Art”. In: MOORE, Kenneth. Brill’s Companion to the Reception of Alexander the Great. Leiden: Brill, 2018, p. 150.

PETSAS, Photios. Pella. Alexander the Great’s Capital. Thessalonike: Institute for Balkan Studies, 1978, pp. 95-96.

ALAGIA. “Hephaestion’s Pyre...”, p. 183.

KINGSLEY, Bonnie. “Alexander's ‘Kausia’ and Macedonian Tradition”. Classical Antiquity, vol. 10, 1991, p. 60-61.

PRESTIANNI GIALLOMBARDO, Anna Maria. “Recenti testimonianze iconografiche sulla kausia in Macedonia e la datazione del fregio della caccia della II tomba reale di Vergina”. Dialogues d'histoire ancienne, vol. 17, 1991, p. 274.

SAATSOGLOUPALIADELI, Chryssoula. “Aspects of Ancient Macedonian Costume”. The Journal of Hellenic Studies, vol. 113, 1993, p. 129.

CALCANI, Giuliana. Cavalieri di bronzo: la torma di Alessandro opera di Lisippo. Roma: L’Erma di Bretschneider, 1989, p. 76.

GIULIANO, Antonio. Storia dell’arte greca. Roma: Carocci editore, 2006 (1989), p. 375.

LIDDELL, Henry; SCOTT, Robert. A Greek-English Lexicon. Oxford: Oxford Univesity Press, 1996, pp. 1396-1397.

BRANDÃO, Jacyntho. Em nome da (in)diferença. O mito grego e os apologistas cristãos do segundo século. Campinas: Editora da Unicamp, 2014, pp. 70-71.

MORENO, Paolo. “Monete e storia nell’iconografia di Alessandro”. Notiziario Arte Contemporanea, n. 41, 2012, pp. 99-132. 59

KAWAMI, Trudy. “Greek Art and Persian Taste: Some Animal Sculptures from Persepolis”. American Journal of Archaeology, vol. 90, n. 3, 1986, p. 259.

SHEAR, Julia. “The Tyrannicides, Their Cult And The Panathenaia: A Note”. The Journal of Hellenic Studies, vol. 132, 2012, pp. 107-119.

BEARD, Mary & HENDERSON, John. Classical Art: from Greece to Rome. Oxford: Oxford University Press, 2001, p. 226.

EDWARDS, Charles. “Lysippos”. In: PALAGIA, Olga & POLLITT, Jerome J. Personal Styles in Greek Sculpture. Melbourne: Cambridge University Press, 1996, p. 132.

POLLITT, Jerome J. Art in the Hellenistic Age. New York: Cambridge University Press, 1986, p. 48.

FRANKS, Hallie. “Hunting the Eschata: An Imagined Persian Empire on the Lekythos of Xenophantos”. Hesperia, vol. 78, n. 4, 2009, pp. 455-480.

COHEN, Beth. “The Non-Greek in the Greek Art”. In: SMITH, Tyler & PLANTZOS, Dimitris. (Orgs.). A companion to Greek art. Wiley: Blackwell, 2012, pp. 456-479.

NORA, Pierre. “Entre memória e história: a problemática dos lugares”. Tradução de Yara Aun Khoury. Projeto História – Revista dos pós-graduandos de História, vol. 10, 1993, pp. 7-28.

HARTOG, François. “Memória, história, presente”. In: HARTOG, François. Regimes de historicidade. Presentismo e experiências do tempo. Tradução de Andréa Souza de Menezes et alli. Belo Horizonte: Autêntica, 2013, pp. 133-192.

WESTAGATE, Ruth. “Mosaics”. In: SMITH, Tyler & PLANTZOS, Dimitris. (Orgs.). A companion to Greek art. Wiley: Blackwell, 2012, pp. 187-188.

DUNBABIN, Katherine. Mosaics of the Greek and Roman World. Cambridge: Cambridge University Press, 1999, pp. 6; 12-13.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.

Copyright (c) 2020 Thiago Amaral Biazotto

Downloads

Download data is not yet available.