https://econtents.bc.unicamp.br/inpec/index.php/figura/issue/feed Figura: Studies on the Classical Tradition 2021-12-20T19:50:26+00:00 Patricia Dalcanale Meneses figura@unicamp.br Open Journal Systems <p><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Escopo: </span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"><em>Figura</em></span></span><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> - Studies on the Classical Tradition é uma revista internacional a ser publicada <em>on-line</em> com acesso irrestrito, a fim de disseminar pesquisas e redações atuais sobre o repertório da Tradição Clássica. </span><span style="vertical-align: inherit;">A revista abrange estudos da cultura visual e textual da Antiguidade, bem como apropriações e transfigurações desse legado no mundo antigo e pós-antigo. </span><span style="vertical-align: inherit;">A pós-antiguidade pode ser considerada para incluir o período contemporâneo; portanto, o ponto de corte usado como quadro de referência para o conteúdo proposto por Figura é conceitual e não temporal. </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Qualis / CAPES</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : B4 </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Área de Conhecimento</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : Ciências Humanas </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Fundado em</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : 2013 </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">e-ISSN</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : 2317-4625 </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Título Curto</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">: Figura: Stud. </span><span style="vertical-align: inherit;">na classe. </span><span style="vertical-align: inherit;">Tradit. </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">E-mail</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : </span></span><a href="https://econtents.bc.unicamp.br/inpec/index.php/figura/management/settings/context/mailto:figura@unicamp.br"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">figura@unicamp.br </span></span></a><strong><br /><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Unidade</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : IFCH </span></span><br /><strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">DOI prefixo</span></span></strong><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> : 10.20396<br /><img src="https://i.creativecommons.org/l/by-nc-nd/4.0/80x15.png" alt="Licença Creative Commons" /><br /></span></span></p> https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/16007 Apresentação 2021-12-15T18:08:00+00:00 Renato Menezes r.menezes9@hotmail.com Carolina Martinez caromartinez@unsam.edu.ar <p>Apresentação do Dossiê Imagens Terrestres</p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Renato Meneses, Carolina Martinez https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/15967 Le Nouveau Monde entre Dieu et le Diable 2021-11-21T12:08:31+00:00 Laura de Mello e Souza laurams@usp.br <p>Dans cet essai, je propose de revenir sur l’ensemble de mes recherches autour de la dichotomie entre le Bien et le Mal qui a structuré le regard européen porté sur les Amériques à l’époque des grandes découvertes et des colonisations. Souvent invoquées comme un paradis terrestre par les premiers Européens qui y sont arrivés, les Amériques ont également été perçues sous un angle sombre, voire ténébreux. Cette dualité se manifeste dans l’hétérogénéité des récits des voyageurs, missionnaires et savants. La littérature issue de ces rencontres soulignait, d’un côté la richesse de la terre américaine et l’innocence de ses habitants, et de l’autre, toute sorte de péchés, parmi lesquels la luxure et le cannibalisme. Je cherche à montrer comment, dans des différents contextes (religieux et laïcs, savants et populaires), l’Enfer et le Paradis sont devenus de puissantes métaphores d’assimilation de ce Nouveau Monde, le regard européen souvent basculant entre le divin et le démoniaque.</p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Laura de Mello e Souza https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/15809 A flauta do pastor 2021-08-07T13:55:04+00:00 Maya Suemi Lemos mayasuemi@gmail.com Rafael Viegas posdoutoradouff@gmail.com <p><em>The pastoral is possibly the most pervasive and resilient artistic and literary phenomenon in the History of Western Art and Aesthetics. Warmly welcomed in its time, Renaissance bucolic literature unfolded in various forms of representation, in a ripple effect that perpetuated the genre, although its intended artificiality is, to some extent, unsettling and impervious to our contemporary taste. Pointing to some of the fundamental stages of the genre’s constitution and highlighting aspects of its structure, we seek to point to the operative devices that allowed conflicting forces of the social life experienced in that period to be negotiated and elaborated</em><a href="https://www.linguee.com.br/ingles-portugues/traducao/dialectically.html"><em> dialectically</em></a><em> in the scene of pastoral fiction. Through this viewpoint, the pastoral culture unveils its fascinating and</em><a href="https://www.linguee.com.br/ingles-portugues/traducao/ingenious.html"><em> ingenious</em></a><em> game of concealment, mirroring and smuggling<strong>.</strong></em></p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Maya Suemi Lemos, Rafael Viegas https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/15778 O Novo Mundo e as heranças medievais sobre o ecúmeno: 2021-07-14T14:10:22+00:00 Deyse Cristina Brito Fabrício deysecbf@gmail.com Antonio Carlos Vitte acarlosvitte@gmail.com <p class="artigo" style="line-height: normal;"><span style="color: black;">Este artigo aborda teorias descritivas do ecúmeno durante a Idade Média que estiveram relacionadas à explicação de raças monstruosas nos extremos do mundo. Em particular, as concepções zonais configuraram arcabouços para a existência do continente antípoda, levantando especulações sobre sua habitabilidade, conforme os padres da Igreja. Entendendo o Novo Mundo como uma extensão das bordas do ecúmeno projetada principalmente no século XVI, discutimos as heranças teratológicas medievais por meio das raças plinianas e antípodas na cartografia.</span></p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Deyse Cristina Brito Fabrício, Antonio Carlos Vitte https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/15620 Colonialism in the Cartouche: Imagery and Power in Early Modern Maps 2021-07-06T16:41:24+00:00 Chet Van Duzer chet.van.duzer@gmail.com <p>The role of maps as tools of colonial control is well known; the cartouches on maps are the places where the cartographer often signals to the viewer his or her interests or prejudices, but the colonialist messages conveyed by cartouches are underexplored. In this article I examine colonialist imagery in several cartouches from the end of the seventeenth to the early nineteenth century both to show the visual vocabulary of this colonialist discourse, and to stimulate further study of cartouches of this type.</p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Chet Van Duzer https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/15648 As fronteiras do mundo conhecido 2021-06-29T18:52:25+00:00 Brenda Degger brendadegger@gmail.com <p><span style="font-weight: 400;">The representation of the continents as women during the 16th and early 17th centuries is considerably disseminated on maps, frontispieces, emblem books, tapestries and porcelain. Each woman is adorned and surrounded by characteristic elements that make its recognition possible. Asia, for example, is usually accompanied by a camel, carries spices and wears richly decorated garments. These attributes are sought in different image repertoires such as the Judeo-Christian tradition, travel accounts and Greco-Roman mythology. The recovery of classical antiquity myths in the artistic production of this period is recurrently addressed. Given some similarities between the personifications of America and the goddess of hunting, Artemis, such as the presence of bow and arrows, the hypothesis emerged that these images were related in the Renaissance context. Idea based on the notion presented by Jean-Pierre Vernant that Artemis was a deity located on the margins between civilization and barbarism, a position shared by America, a continent that was on the edge of the world known to Europeans. The aim of this article is to identify the possible links between America and Artemis based on the analysis of productions from the 16th and 17th centuries.</span></p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Brenda Degger https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/15750 Rosa Magalhães, carnavalesca e cartógrafa 2021-06-29T18:38:57+00:00 Leonardo Augusto Bora leonardobora@gmail.com <p>RESUMO: O ensaio propõe leituras da obra da carnavalesca Rosa Magalhães, enfocando narrativas de enredo (desenvolvidas para os desfiles das escolas de samba do Rio de Janeiro) que expressam entrechoques e fusões culturais, hibridismos, diálogos com textos e signos renascentistas, imaginários viajantes, deslocamentos territoriais capazes de redefinir os mapas do mundo. No caso de <em>Breazail, </em>de 2004, nota-se o mergulho em <em>Utopia, </em>de Thomas More. Ao final do “mapeamento”, expande-se o olhar para a presença das ilhas afortunadas, o drama hodierno dos refugiados e a ida ao espaço cósmico, a fim de contemplar o globo terrestre em sua totalidade – matéria para a confecção de fantasias e alegorias multifacetadas e desafiadoras.</p> <p>PALAVRAS-CHAVE: Rosa Magalhães; escolas de samba; mapas; viagens; ilhas.</p> 2021-12-20T00:00:00+00:00 Copyright (c) 2021 Leonardo Augusto Bora