TY - JOUR AU - Baeta, Rodrigo AU - Nery, Juliana PY - 2019/08/04 Y2 - 2024/03/28 TI - Sylvio de Vasconcellos: a influência de Lúcio Costa e a crítica modernista à arquitetura colonial em Minas Gerais JF - Figura: Studies on the Classical Tradition JA - Figura: Stud. on the Class. Tradit. VL - 6 IS - 2 SE - Articles DO - 10.20396/figura.v6i2.9954 UR - https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/9954 SP - 129-164 AB - <p><span style="left: 70.8px; top: 396.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.02442);">Sylvio de Vasconcellos is certainly the most well</span><span style="left: 463.3198333333333px; top: 396.93964843749995px; font-size: 17.999999999999996px; font-family: sans-serif;">-</span><span style="left: 469.416px; top: 396.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.02147);">known critic of the colonial </span><span style="left: 70.8px; top: 422.54px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.02955);">architecture of Minas Gerais. Its production as architectural historian would </span><span style="left: 70.8px; top: 447.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.0512);">be leased to the mid</span><span style="left: 241.22399999999996px; top: 447.7396484374999px; font-size: 17.999999999999996px; font-family: sans-serif;">-</span><span style="left: 247.32px; top: 447.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.03315);">twentieth century to </span><span style="left: 415.177px; top: 447.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.05311);">the late 1970. However, all of its </span><span style="left: 70.8px; top: 472.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.00445);">investigations extrapolated, in some respects, the previously undertaken </span><span style="left: 70.8px; top: 498.54px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.02957);">research on colonial architecture. In fact, his work as a critic of architecture </span><span style="left: 70.8px; top: 523.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.979366);">is filled with a modernist dogmatism derived from studies of Lucio </span><span style="left: 636.265px; top: 523.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.01639);">Costa </span><span style="left: 70.8px; top: 548.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.00139);">(the great reference to his theoretical discourse). Nevertheless, the </span><span style="left: 70.8px; top: 574.14px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.975371);">criticisms of the author reach an unprecedented level of synthesis</span><span style="left: 624.5034999999999px; top: 574.1396484374999px; font-size: 17.999999999999996px; font-family: sans-serif;">,</span><span style="left: 637.169px; top: 574.14px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.02093);">which </span><span style="left: 70.8px; top: 599.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.02593);">encouraged the alliance between the colonial culture of Minas Gerais, in its </span><span style="left: 70.8px; top: 624.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.971257);">interface with the architectu</span><span style="left: 298.283px; top: 624.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.940902);">re and the cities of the mining region. And this </span><span style="left: 70.8px; top: 650.14px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.00199);">effort is directed, among other things, to the massive discussion of the </span><span style="left: 70.8px; top: 675.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.03444);">Baroque in Minas Gerais </span><span style="left: 281.9481666666667px; top: 675.7396484374999px; font-size: 17.999999999999996px; font-family: sans-serif;">–</span><span style="left: 298.438px; top: 675.74px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.03806);">that would be characterized as an isolated and </span><span style="left: 70.8px; top: 700.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.991515);">special episode within the Brazilian colonial art. Thus, the </span><span style="left: 571.216px; top: 700.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.00379);">author's main </span><span style="left: 70.8px; top: 726.14px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.991412);">objective was to discover the architectural peculiarities of the gold cycle </span><span style="left: 70.8px; top: 751.34px; font-size: 18px; font-family: sans-serif; transform: scaleX(0.985081);">region, punctuating its relationships with the “mineiro” man, and with the </span><span style="left: 70.8px; top: 776.94px; font-size: 18px; font-family: sans-serif; transform: scaleX(1.01579);">culture of “mineiridade”.</span></p> ER -