@article{Risi Pereira Barreto_2022, place={Campinas, SP}, title={Migrações do clássico: a geografia da arte em Aby Warburg}, volume={10}, url={https://econtents.bc.unicamp.br/inpec/index.php/figura/article/view/16056}, DOI={10.20396/figura.v10i1.16056}, abstractNote={<p>For Aby Warburg, during the Renaissance, the resumption of the ancient gods - idealized classics - was one of the ways that "modern man" found to free himself from servility to medieval demons, as processes of sublimation - recurrent and reactive - in which the " artistic man” triggers “mnemonically” an ancient cultural heritage and, in a state of tension between opposite poles, processes its empathic formulation – <em>Pathosformel</em> – through the work. Struggling between the need for guidance and the need for liberation (cosmic-spiritual), "modern men" such as Sandro Botticelli, Albrecht Dürer, and Francesco Cossa, exemplified these conflicts, which from the micro to the macro, Warburg observed in the details of their individual formulations, comprising, at the same time, what they expressed about the entire humanity, tracked by the tracks of cultures and epochs. Conceiving art as a process of sublimating struggle, conflict in a polar tension zone, in the sense of historical psychology of human expressiveness, expanded the young History of Art in thematic and time-spatial terms.</p>}, number={1}, journal={Figura: Studies on the Classical Tradition}, author={Risi Pereira Barreto, Priscila}, year={2022}, month={Jul.}, pages={106–126} }