Abstract
An American theater critic, even with strong sympathies for political theater, as is the case of Eric Bentley, to take one of the well-known names in Brazil, would hardly understand a study on modern theater in his country that began with a political-theatrical event. from 1913.
References
COSTA, Iná Camargo. O enjeitado de 1913. Crítica Marxista, Campinas, SP, v. 8, n. 13, p. 108–118, 2001. https://doi.org/10.53000/cma.v8i13.19626
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Copyright (c) 2001 Iná Camargo Costa
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