A dialectical critique in the visual arts
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Keywords

Arts
History
Modernism

How to Cite

MARTINS, Luiz Renato. A dialectical critique in the visual arts. Crítica Marxista, Campinas, SP, v. 20, n. 37, p. 133–135, 2013. DOI: 10.53000/cma.v20i37.19277. Disponível em: https://econtents.bc.unicamp.br/inpec/index.php/cma/article/view/19277. Acesso em: 17 jul. 2024.

Abstract

The task of synthesizing the richness of this art is as difficult as it is as urgent as it opens up. To start hair that I destroyed. Dynamita os thermos gives, in general, an innocuous quarrel between “modernists” and “post-modernists”.1 Ato contínuo, or rhombus aberto no pared das ideias received, faces a vertente outlined, more decisive, of the history of “modern art” ou do “modernism”.

https://doi.org/10.53000/cma.v20i37.19277
PDF (Português (Brasil))

References

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CALLINICOS, A. Contra el posmodernismo (Against Postmodernism, 1991). Trad. Magdalena Holguín. Buenos Aires: Razón y Revolución / Biblioteca Militante, 2011.

CRAVEN, D. The Latin American Origins of “Alternative Modernism”. In: Third Text. London, Continuum, 36, 1996, p.29-44.

DARÍO, R. A Roosevelt. In: Rubén Darío poesía. Managua: Editorial Nueva Nicaragua, 1994, p.180 apud CRAVEN, 1996.

EDWARDS, S. David Craven (1951-2012): Marxist Historian of Art from las Americas. Historical Materialism: research in critical marxist theory. Leiden: Brill, v.20, issue 3, 2012.

GREENBERG, C. Arte e cultura. Trad. Otacílio Nunes. São Paulo: Ática, 1996.

LÖWY, M. Aviso de incêndio: uma leitura das teses “sobre o conceito de história”. Trad. W. N. Caldeira Brant e, das teses, J-M. Gagnebin e M.L. Müller. São Paulo: Boitempo, 2005.

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2013 Luiz Renato Martins

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